http://museum-security.org/
securma@xs4all.nl
SITE MAP

December 12, 1998

CONTENTS:

- Resumes Invited for Security Management Position
- motion detectors
- unique identification of museum objects
- International Cultural Property Protection Website
- Strike to shut down Greek museums, sites
- 'Baron' held in stolen art inquiry
- Feds Stop Sale of $5M Moon Rock
- ALR & Washington Conference (Jonathan Sazonoff)
- Monet painting's disputed past may keep it out of London show
- Stolen art can turn up in the most unlikely places
- Umbrella Man was an art dealer and computer ace
- Stolen Sutler Trailer
- Louvre, Grand Palais museums closed in Paris because of strike



From: IntlArtCop@aol.com
Date: Sun, 6 Dec 1998 22:43:57 EST
To: securma@xs4all.nl
Subject:

Resumes Invited for Security Management Position

It is my pleasure to invite qualified applicants to submit resumes for a premier security management position that is currently available.
Director of Security and Safety

Excellent opportunity to join a world renowned cultural institution in the New York metropolitan area. The candidate we are seeking will have ten or more years of increasingly more responsible hands on security management experience with a minimum of two years as director or associate director of security in an organizationally complex institution or corporate setting. Demonstrated success in developing and managing an effective security and safety program. Must be able to develop, implement and communicate security policies and procedures. Strong people skills working with a diverse spectrum of executives, professionals, union and non-union staff required. A better than average understanding of technical systems a plus. BA degree required. MA degree desirable. CPP is highly desirable. Extensive background investigation will be conducted. Candidate must be willing to pursue CPP certification when eligible. Salary commensurate with experience. Excellent benefits package. Please send resume and salary requirements in confidence to:
Steve Keller and Associates, Inc. 22 Foxfords Chase Ormond Beach, FL 32174 An Equal Opportunity Employer.



Date: Sun, 06 Dec 1998 21:07:28 -0500
To: securma@museum-security.org
From: Ken kenmyers1@mindspring.com
Subject:

motion detectors

Does anybody know of a source for motion detection devices in custom colors?
The security system installed at our site during its most recent restoration included PIR motion sensors installed in the fireplaces so as to minimize their effect on the integrity of the historic interiors. In an effort to make the devices even less noticeable, the housings for the sensors were painted black. It was very effective. Unfortuanely, the detectors have not proven very durable and are creating an increasing number of false alarms as they begin to fail [yes the chimneys are sealed - false alarms are not caused by debris falling down the chimney]. Replacement "guts" for the housings are no longer available through our alarm company as they have replaced the existing model in their inventory with newer redesigned units. I would like to simply replace them all with new, more dependable, units but unfortunately our alarm company will only make them available in the usual generic "ivory" color. Of course, like before, we could disassemble the units and paint the housings black prior to installation, however it sure would be easier to purchase devices molded from black plastic if such a thing were available. Furthermore, it would be nice to avoid the problem of flaking paint as well.
***************************************
Ken Myers
Site Manager
Valentine Museum
1015 E. Clay Street
Richmond, VA 23219
(804) 649-0711 Ext. 320
(804) 643-3510 FAX
*******************************



From: "Robert Elmer" bob@percell.co.uk
Subject:

unique identification of museum objects

Percell Great Britain Ltd, offers a service of Transponder or microdot transplant complete with a passport for UNIQUE IDENTIFICATION and provenance, see our web site www.percell.co.uk for details. Also the system using transponders is valued by museums for auditing.
** Percell Great Britain Ltd **


From: "Wakefield, Carol" cwakefie@usia.gov
Subject:

International Cultural Property Protection Website

United States Information Agency
NEWS RELEASE
NEW USIA WEB PAGE FEATURES INTERNATIONAL CULTURAL PROPERTY PROTECTION
Washington, D.C. - The United States Information Agency (USIA) is pleased to announce its new Web page featuring International Cultural Property Protection:
http://www.usia.gov/education/culprop/index.html
The page provides background on the problem of international pillage of artifacts and the U.S. response; information about relevant laws, bilateral agreements and U.S. import restrictions; recent news stories and magazine articles, and much more. High-resolution images of classes of artifacts protected by the U.S. will be added in the near future.
The United States is joined with many other countries in an international effort to protect cultural heritage globally. USIA, which oversees the U.S. role in protecting international cultural property, is the lead agency in carrying out decision-making responsibilities under the Convention on Cultural Property Implementation Act. The Act enables the United States to impose import restrictions on certain categories of archaeological or ethnological material in accordance with the 1970 UNESCO Convention on the Means of Prohibiting and Preventing the Illicit Import and Transfer of Ownership of Cultural Property when the pillage of such material places in jeopardy the cultural heritage of the country of origin. USIA also supports the Cultural Property Advisory Committee, appointed by the President, in carrying out its responsibilities under the Act.
"We hope the Web page will contribute to raising public awareness in addition to providing information to all interested parties, including academia, museums, the trade, the general public, law enforcement entities, and citizens of other countries," announced Executive Director of the Cultural Property Advisory Committee Maria Papageorge Kouroupas. "We hope, too, that it will foster greater stewardship of our shared cultural heritage, a diminishing, non-renewable resource."
*******************************
Carol Wakefield
E/ZC Cultural Property
Room 247, (202) 619-6614
e-mail: cwakefie@usia.gov
*******************************


Strike to shut down Greek museums, sites

ATHENS, Dec 7 (Reuters) - Greece's culture ministry workers plan a 48-hour-long walkout on Tuesday that threatens to shut down archaeological sites such as the famed Acropolis. The strike is being launched to protest against government plans to merge the employees' pension fund into other state funds. ``We're calling a 48-hour strike for December 8 and if we get no satisfaction we will call another one,'' a representative from the Federation of Culture Ministry Employees said. The strike is expected to close most museums and archaeological sites in the country, although the federation said a skeleton staff would be on hand to deal with emergencies.
Copyright 1998 Reuters Limited.


(Times of London)

'Baron' held in stolen art inquiry

FROM RICHARD OWEN IN ROME
POLICE investigating a lucrative trade in antiquities plundered from ancient Sicilian tombs said yesterday they had discovered that the gang controlling the racket was led not by Godfathers but by "citizens above suspicion", including academics, respected collectors and a self-styled baron. Police officers in Catania, Sicily, recovered tens of thousands of "priceless archaeological artefacts" after raids on houses belonging to the ring. "We are looking into how many more they sold on the international art market" a police spokesman said. There was evidence that some had been bought by foreign museums, including the Metropolitan Museum of Art in New York - in many cases the antiquities had carried fake authenticity certificates. Maria Grazia Branciforti, Superintendent of Fine Arts for the Catania region, said of the hoard: "The objects are worth millions of pounds. But they also have an inestimable cultural value to Italy." The haul included Greek and Roman jewels, mosaics, coins, statues, vases and amphorae. Those held include "Baron" Vincenzo Cammarata, 50, a landowner, Giacomo Manganaro, 71, professor of ancient history, and Salvo Di Bella, 53, professor of political geography, at Catania University.


From: "Sally Shelton" Shelton.Sally@NMNH.SI.EDU
To: securma@xs4all.nl
Subject:

NYT: moon rock

http://www.nytimes.com/aponline/a/AP-Moon-Rock.html
December 8, 1998
Feds Stop Sale of $5M Moon Rock
Filed at 6:20 a.m. EST
By The Associated Press

MIAMI (AP) -- A 3.9-million-year-old chunk of the moon that President Nixon gave to Honduras has been seized by federal agents who said they uncovered a plan to sell the rock for $5 million. ``Operation Lunar Eclipse,'' an undercover investigation involving U.S. Customs, NASA and the Postal Service, was aimed at stopping the sale of bogus lunar samples. In this case, however, agents found a real one.
It was brought back by astronauts on the Apollo 17 mission that lifted off Dec. 7, 1972, federal officials said. The rock was part of a larger sample the astronauts dedicated to the people of the world before they returned to Earth, said Capt. Eugene Cernan, the mission's commander. ``We wanted to give a piece of this rock to each country,'' Cernan said Monday. ``It was to be part of the archives of that nation and country.''
Authorities said a 60-year-old Florida man bought the tiny rock from a retired Honduran military officer. They said the Florida man called Cernan to verify the authenticity of the rock. Agents lured the man by placing a newspaper advertisement seeking moon rocks, and they seized the rock once he led them to it -- encased in acrylic, stored in safety deposit box. The man was not arrested, but he could face smuggling charges for failing to declare the rock if he brought it into the country himself, Customs spokesman Michael Sheehan said.



From: Jonathan Sazonoff saz@kwom.com
Subject:

ALR & Washington Conference

Dear Subscribes,
There seems to be some confusion from our last posting. SAZ Productions, Inc. did not attend the Washington Conference.
The Art Loss Register did attend. Ms. Sara Jackson (ALR London)and Mr Ronald Tauber (ALR New York) attended the Washington Conference on Holocaust era assets. The Art Loss Register made a presentation titled ' Looted Art: A Practical Response ' at the Conference on 2nd December. We hope this posting is a little clearer.
Regards,
Jonathan Sazonoff
Pres. Saz Prod., Inc.
www.saztv.com


Monet painting's disputed past may keep it out of London show

By Douglas Davis
LONDON, Dec. 7 (JTA) -- A painting by the artist Claude Monet is unlikely to be included in an upcoming London display of the artist's 20th-century work because it is believed to have been looted by the Nazis from a private Jewish collection. The Monet, currently part of an exhibition at Boston's Museum of Fine Arts, is one of more than 100,000 Nazi-looted artworks that have not been returned to their rightful owners, according to estimates by the World Jewish Congress' commission on art recovery. The story of what happened to the Monet in the postwar years indicates how difficult the restitution of looted art truly is.
According to research carried out by the London-based Art Loss Register, the French Impressionist painting, called ``The Waterlilies," was confiscated from the Jewish art dealer Paul Rosenberg by the Nazis in 1941. The Art Loss Register is a compilation of Jewish-owned artworks that were seized by the Nazis throughout occupied Europe. The Register currently lists some 3,000 such works.
After it was confiscated, the Monet, now valued at some $7 million, entered the personal collection of Nazi Foreign Minister Joachim Von Ribbentrop, who had organized the systematic plunder of Jewish-owned art throughout Nazi-occupied Europe. Descendants of Rosenberg now want the painting to be returned and are considering their legal options, one of which involves a lawsuit that will prevent the work from leaving the United States. The Rosenberg family, which lives in New York, identified the painting-- one of 48 depictions of waterlilies that Monet executed in the garden of his home in Giverny, France -- from a photograph of paintings that were owned by Paul Rosenberg. The work is one of 58 paintings plundered from Rosenberg's collection that the family has asked the Art Loss Register to trace. Since it was recovered after the war, the work was held in trust by the Musee Nationaux de France and, since 1975, it has been in the care of the Musee des Beaux-Arts in the city of Caen.
Based on the provenance of the work, both the Royal Academy of Arts in London, which was hoping to include the painting in its exhibition, and the Boston museum are understood to have been aware that the work was among those recovered from the Nazis. The director of the Art Loss Register, James Emson, stressed how difficult it is to determine a work's true owner. ``It is important to remember that this is a very shady period of history," he said. ``We do know, however, that this painting was in the collection of Von Ribbentrop and that it was among the 40,000 items seized by the Allies and handed over to France at the end of the war.
``All but 2,085 were returned to their owners," he added, ``and the remainder were distributed for safekeeping to Paris and provincial museums.''
(c Jewish Telegraphic Agency Inc.


Stolen art can turn up in the most unlikely places.

Hey, that's my picture on your wal

l By Ashlea Ebeling

DANIEL SEARLE, an heir to the G.D. Searle drug fortune, bought the ethereal Edgar Degas pastel "Landscape with Smokestacks," a view across a windswept countryside, in 1987. He paid $850,000. The seller was a reliable dealer. Searle hung the work in his suburban Chicago home and later lent it to New York's Metropolitan Museum of Art. But eight years after the purchase Searle received a letter from a lawyer representing the heirs of Holocaust victims Friedrich and Louise Gutmann. The resulting court battle over the painting's ownership turned, among other things, on how diligently each side had checked the artwork's true ownership.
The Gutmann heirs claimed that the appearance of a notorious German art dealer, Hans Wendland, in the painting's ownership record should have raised a red flag. Searle claimed the Gutmann family sold the painting in Paris in 1939 and that even if it were stolen, the heirs could have found it much earlier if they had been searching diligently. A settlement last summer left ownership divided 50/50. Searle donated his share to the Art Institute of Chicago. The Institute will purchase the heirs' share. But even that compromise ended up costing Searle more than $1 million in legal fees. Can art buyers protect themselves against this sort of hazard? They couldn't in 1987, but now collectors and museums can buy defective title coverage or "war loot" insurance. It is available from Hiscox Syndicate 33 at Lloyd's of London. Such policies were previously available only to dealers and were limited to $1 million. The new Lloyd's policies are aimed at collections worth $10 million or more and provide up to $50 million of coverage. If an ownership challenge arises, the insurer funds a legal defense. It also pays out the value of the artwork to the policyholder if the fight is lost.
Disputes over ownership are cropping up more frequently these days (see table). The opening-up of eastern European archives and a recent State Department conference on Nazi-looted assets will give claimants even more documentation for pursuing their cases. Hundreds of thousands of works were stolen in the Nazi era alone and are probably now worth more than $1 billion. An unknown number were stolen by Soviet and Allied soldiers. "Nobody has a real handle on the extent of the problem," says Anna Kisluk, director of the Art Loss Register in New York, which maintains an international database of stolen art.
The new insurance doesn't come cheap. The premium could be as high as 2% for a collection where there are gaps in ownership history. That's $400,000 for a $20 million policy. Still, given the extraordinary cost of artwork and litigation these days, Lloyd's is probably going to find some takers.



Sydney Morning Herald

Umbrella Man was an art dealer and computer ace

By LES KENNEDY, Chief Police Reporter

The mystery surrounding the identity of a homeless man murdered 12 days ago in Sydney's Domain has been solved. Until yesterday the man, dubbed "the Umbrella Man" by council rangers and Royal Botanic Gardens staff because he would construct a tepee from umbrellas for shelter in the night, faced a pauper's burial in an unmarked grave. But now The Rocks detectives, who could not contact his relatives in Victoria yesterday, believe him to be former Melbourne art dealer and computer technician David Murray, a man who turned his back on mainstream society almost two decades ago. His identity emerged as Herald readers responded to a story on police efforts to identify him and locate his killer.
Mr Murray had changed his Christian name from David to Adam after taking up residence in what he called the "Starlight hotel" at Mrs Macquaries Chair 14 years ago. The man who, unlike many vagrants, shunned alcohol, told of his life three years later in the Good Weekend magazine. Mr Murray, then 58, was living in a small plastic-clad humpy built at the cliff base of Mrs Macquaries Chair near the northern end of the Boy Charlton swimming pool. It eventually grew into a home with raised floorboards, a hammock, crude shelving and table and even a small garden until it was torn down four years ago for being an illegal structure. The slim, bearded man had once been a technician at the Royal Melbourne Institute of Technology. Later he worked with a computer firm before opening an art gallery in the Melbourne suburb of Prahran. But according to his brother the business went broke around the same time as the breakdown in his marriage, which had resulted in two children.
After Mr Murray's wife remarried and settled in Western Australia, he lived briefly with his father and adopted a life of painting and sculpture. He refused to go on the dole, even when he arrived in Sydney. In 1989, he told Good Weekend that every day he set an issue to think about and resolve: what is the best way to bring up a child in Sydney or how strong is the role of women's independence in this city. When he found the answers, he would paint a series on those answers. "I don't want to paint glibly, without any insight," he said. He described himself as "just a poor, down and out hobledehoy" whose favourite sport was watching the "nine to fivers" surge out of their city offices in the peak-hour rush, after spending his day rummaging through bins and walking the city. He also told of the perils of living in the Starlight hotel. Nights when drunken louts hurled bottles at him. Times when he returned to his camp to find his few scavenged belongings stolen, scattered or thrown into Woolloomooloo Bay. Despite the perils of living in the open, the Umbrella Man wouldn't swap his squat and view for anything in the world. It cost him his life on Saturday, November 29, when someone bashed him to death with a blunt object.



From: Vivian Lea Stevens scarlett@CFW.COM
Subject:

Stolen Sutler Trailer

Hi, folks...I know this is a little out of our scope, but wanted to alert as many folks as possible. Please pass this along to any other lists that you think might be appropriate. It has already gone to the French & Indian War List (history@kmag.deerfield.com), the American War for Independence List (revlist@meridiantc.com) and the Brigade of the American Revolution (brigade@n.ml.org).
Thanks for your help!
VivianLea Stevens
On December 1, 1998, Bill and Gayle Fox (Side-Kick Sutlers) parked their trailer in the lot of a truck stop on I-20 just outside of Shreveport while they went into town for transmission repairs. While they were gone, someone stole the trailer. This was their means of making a living. Please beware of anyone not of the re-enacting hobby that is trying to sell you any goods. Also, watch your local classified ads for any Civil War relics for sale. Please forward this message to as many re-enactors as you can. If you think that you may have stumbled across any of the stolen items, please contact me at EJC715@aol.com. I will contact Bill immediately.
Thank you,
Carolyn Elliott



Louvre, Grand Palais museums closed in Paris because of strike

Copyright c 1998 Nando Media
Copyright c 1998 The Associated Press
PARIS (December 9, 1998 5:57 p.m. EST http://www.nandotimes.com) --
Striking workers closed two of Paris' best known art museums on Wednesday, the Louvre and the Grand Palais. The workers are demanding the museums hire more personnel and improve working conditions, said a Louvre spokeswoman, Patricia Mounier. Negotiations will continue Wednesday afternoon and a resolution seems imminent, she said.
The striking employees divide their work schedules between the Louvre and the Grand Palais exposition hall, which is running a special exhibit of the works of painter Gustave Moreau. Their walkout is the latest in a wave of strikes that have closed major Paris attractions, including the Eiffel Tower and the National Library.
The Orsay Museum turned away frustrated visitors for two weeks in November while museum workers waged a strike during a hugely popular exposition of the works of Jean-Francois Millet and Vincent Van Gogh.



Main Indexpage