http://museum-security.org/
securma@xs4all.nl
SITE MAP
December 12, 1998
CONTENTS:
- Resumes Invited for Security Management Position
- motion detectors
- unique identification of museum objects
- International Cultural Property Protection Website
- Strike to shut down Greek museums, sites
- 'Baron' held in stolen art inquiry
- Feds Stop Sale of $5M Moon Rock
- ALR & Washington Conference (Jonathan Sazonoff)
- Monet painting's disputed past may keep it out of London show
- Stolen art can turn up in the most unlikely places
- Umbrella Man was an art dealer and computer ace
- Stolen Sutler Trailer
- Louvre, Grand Palais museums closed in Paris because of strike
From: IntlArtCop@aol.com
Date: Sun, 6 Dec 1998 22:43:57 EST
To: securma@xs4all.nl
Subject: Resumes Invited for Security Management Position
It is my pleasure to invite qualified applicants to submit resumes for a
premier security management position that is currently available.
Director of Security and Safety
Excellent opportunity to join a world renowned cultural institution in the New
York metropolitan area. The candidate we are seeking will have ten or more
years of increasingly more responsible hands on security management experience
with a minimum of two years as director or associate director of security in
an organizationally complex institution or corporate setting. Demonstrated
success in developing and managing an effective security and safety program.
Must be able to develop, implement and communicate security policies and
procedures. Strong people skills working with a diverse spectrum of
executives, professionals, union and non-union staff required. A better than
average understanding of technical systems a plus. BA degree required. MA
degree desirable. CPP is highly desirable. Extensive background investigation
will be conducted. Candidate must be willing to pursue CPP certification when
eligible. Salary commensurate with experience. Excellent benefits package.
Please send resume and salary requirements in confidence to:
Steve Keller and
Associates, Inc. 22 Foxfords Chase Ormond Beach, FL 32174 An Equal
Opportunity Employer.
Date: Sun, 06 Dec 1998 21:07:28 -0500
To: securma@museum-security.org
From: Ken kenmyers1@mindspring.com
Subject: motion detectors
Does anybody know of a source for motion detection devices in custom
colors?
The security system installed at our site during its most recent
restoration included PIR motion sensors installed in the fireplaces so
as to minimize their effect on the integrity of the historic
interiors. In an effort to make the devices even less noticeable, the
housings for the sensors were painted black. It was very effective.
Unfortuanely, the detectors have not proven very durable and are
creating an increasing number of false alarms as they begin to fail
[yes the chimneys are sealed - false alarms are not caused by debris
falling down the chimney]. Replacement "guts" for the housings are no
longer available through our alarm company as they have replaced the
existing model in their inventory with newer redesigned units. I
would like to simply replace them all with new, more dependable, units
but unfortunately our alarm company will only make them available in
the usual generic "ivory" color. Of course, like before, we could
disassemble the units and paint the housings black prior to
installation, however it sure would be easier to purchase devices
molded from black plastic if such a thing were available.
Furthermore, it would be nice to avoid the problem of flaking paint as
well.
***************************************
Ken Myers
Site Manager
Valentine Museum
1015 E. Clay Street
Richmond, VA 23219
(804) 649-0711 Ext. 320
(804) 643-3510 FAX
*******************************
From: "Robert Elmer" bob@percell.co.uk
Subject: unique identification of museum objects
Percell Great Britain Ltd, offers a service of Transponder or microdot
transplant complete with a passport for UNIQUE IDENTIFICATION and
provenance, see our web site www.percell.co.uk for details. Also the
system using transponders is valued by museums for auditing.
** Percell Great Britain Ltd **
From: "Wakefield, Carol" cwakefie@usia.gov
Subject: International Cultural Property Protection Website
United States Information Agency
NEWS RELEASE
NEW USIA WEB PAGE FEATURES INTERNATIONAL CULTURAL PROPERTY PROTECTION
Washington, D.C. - The United States Information Agency (USIA) is
pleased to announce its new Web page featuring International Cultural
Property Protection:
http://www.usia.gov/education/culprop/index.html
The page provides background on the problem of international pillage
of artifacts and the U.S. response; information about relevant laws,
bilateral agreements and U.S. import restrictions; recent news stories
and magazine articles, and much more. High-resolution images of
classes of artifacts protected by the U.S. will be added in the near
future.
The United States is joined with many other countries in an
international effort to protect cultural heritage globally. USIA,
which oversees the U.S. role in protecting international cultural
property, is the lead agency in carrying out decision-making
responsibilities under the Convention on Cultural Property
Implementation Act. The Act enables the United States to impose
import restrictions on certain categories of archaeological or
ethnological material in accordance with the 1970 UNESCO Convention on
the Means of Prohibiting and Preventing the Illicit Import and
Transfer of Ownership of Cultural Property when the pillage of such
material places in jeopardy the cultural heritage of the country of
origin. USIA also supports the Cultural Property Advisory Committee,
appointed by the President, in carrying out its responsibilities under
the Act.
"We hope the Web page will contribute to raising public awareness in
addition to providing information to all interested parties, including
academia, museums, the trade, the general public, law enforcement
entities, and citizens of other countries," announced Executive
Director of the Cultural Property Advisory Committee Maria Papageorge
Kouroupas. "We hope, too, that it will foster greater stewardship of
our shared cultural heritage, a diminishing, non-renewable resource."
*******************************
Carol Wakefield
E/ZC Cultural Property
Room 247, (202) 619-6614
e-mail: cwakefie@usia.gov
*******************************
Strike to shut down Greek museums, sites
ATHENS, Dec 7 (Reuters) - Greece's culture ministry workers plan a
48-hour-long walkout on Tuesday that threatens to shut down
archaeological sites such as the famed Acropolis. The strike is being
launched to protest against government plans to merge the employees'
pension fund into other state funds. ``We're calling a 48-hour strike
for December 8 and if we get no satisfaction we will call another
one,'' a representative from the Federation of Culture Ministry
Employees said. The strike is expected to close most museums and
archaeological sites in the country, although the federation said a
skeleton staff would be on hand to deal with emergencies.
Copyright 1998 Reuters Limited.
(Times of London)
'Baron' held in stolen art inquiry
FROM RICHARD OWEN IN ROME
POLICE investigating a lucrative trade in antiquities plundered from
ancient Sicilian tombs said yesterday they had discovered that the
gang controlling the racket was led not by Godfathers but by "citizens
above suspicion", including academics, respected collectors and a
self-styled baron. Police officers in Catania, Sicily, recovered tens
of thousands of "priceless archaeological artefacts" after raids on
houses belonging to the ring. "We are looking into how many more they
sold on the international art market" a police spokesman said. There
was evidence that some had been bought by foreign museums, including
the Metropolitan Museum of Art in New York - in many cases the
antiquities had carried fake authenticity certificates. Maria Grazia
Branciforti, Superintendent of Fine Arts for the Catania region, said
of the hoard: "The objects are worth millions of pounds. But they also
have an inestimable cultural value to Italy." The haul included Greek
and Roman jewels, mosaics, coins, statues, vases and amphorae. Those
held include "Baron" Vincenzo Cammarata, 50, a landowner, Giacomo
Manganaro, 71, professor of ancient history, and Salvo Di Bella, 53,
professor of political geography, at Catania University.
From: "Sally Shelton" Shelton.Sally@NMNH.SI.EDU
To: securma@xs4all.nl
Subject: NYT: moon rock
http://www.nytimes.com/aponline/a/AP-Moon-Rock.html
December 8, 1998
Feds Stop Sale of $5M Moon Rock
Filed at 6:20 a.m. EST
By The Associated Press
MIAMI (AP) -- A 3.9-million-year-old chunk of the moon that President
Nixon gave to Honduras has been seized by federal agents who said they
uncovered a plan to sell the rock for $5 million.
``Operation Lunar Eclipse,'' an undercover investigation involving
U.S. Customs, NASA and the Postal Service, was aimed at stopping the
sale of bogus lunar samples. In this case, however, agents found a
real one.
It was brought back by astronauts on the Apollo 17 mission that
lifted off Dec. 7, 1972, federal officials said. The rock was part of
a larger sample the astronauts dedicated to the people of the world
before they returned to Earth, said Capt. Eugene Cernan, the mission's
commander.
``We wanted to give a piece of this rock to each country,'' Cernan
said Monday. ``It was to be part of the archives of that nation and
country.''
Authorities said a 60-year-old Florida man bought the tiny rock from
a retired Honduran military officer. They said the Florida man called
Cernan to verify the authenticity of the rock.
Agents lured the man by placing a newspaper advertisement seeking
moon rocks, and they seized the rock once he led them to it --
encased in acrylic, stored in safety deposit box.
The man was not arrested, but he could face smuggling charges for
failing to declare the rock if he brought it into the country himself,
Customs spokesman Michael Sheehan said.
From: Jonathan Sazonoff saz@kwom.com
Subject: ALR & Washington Conference
Dear Subscribes,
There seems to be some confusion from our last posting. SAZ
Productions, Inc. did not attend the Washington Conference.
The Art Loss Register did attend. Ms. Sara Jackson (ALR London)and Mr
Ronald Tauber (ALR New York) attended the Washington Conference on
Holocaust era assets. The Art Loss Register made a presentation
titled ' Looted Art: A Practical Response ' at the Conference on 2nd
December. We hope this posting is a little clearer.
Regards,
Jonathan Sazonoff
Pres. Saz Prod., Inc.
www.saztv.com
Monet painting's disputed past may keep it out of London show
By Douglas Davis
LONDON, Dec. 7 (JTA) -- A painting by the artist Claude Monet is
unlikely to be included in an upcoming London display of the artist's
20th-century work because it is believed to have been looted by the
Nazis from a private Jewish collection.
The Monet, currently part of an exhibition at Boston's Museum of Fine
Arts, is one of more than 100,000 Nazi-looted artworks that have not
been returned to their rightful owners, according to estimates by the
World Jewish Congress' commission on art recovery. The story of what
happened to the Monet in the postwar years indicates how difficult the
restitution of looted art truly is.
According to research carried out by the London-based Art Loss
Register, the French Impressionist painting, called ``The
Waterlilies," was confiscated from the Jewish art dealer Paul
Rosenberg by the Nazis in 1941.
The Art Loss Register is a compilation of Jewish-owned artworks that
were seized by the Nazis throughout occupied Europe. The Register
currently lists some 3,000 such works.
After it was confiscated, the Monet, now valued at some $7 million,
entered the personal collection of Nazi Foreign Minister Joachim Von
Ribbentrop, who had organized the systematic plunder of Jewish-owned
art throughout Nazi-occupied Europe.
Descendants of Rosenberg now want the painting to be returned and are
considering their legal options, one of which involves a lawsuit that
will prevent the work from leaving the United States.
The Rosenberg family, which lives in New York, identified the
painting-- one of 48 depictions of waterlilies that Monet executed in
the garden of his home in Giverny, France -- from a photograph of
paintings that were owned by Paul Rosenberg.
The work is one of 58 paintings plundered from Rosenberg's collection
that the family has asked the Art Loss Register to trace.
Since it was recovered after the war, the work was held in trust by
the Musee Nationaux de France and, since 1975, it has been in the care
of the Musee des Beaux-Arts in the city of Caen.
Based on the provenance of the work, both the Royal Academy of Arts
in London, which was hoping to include the painting in its
exhibition, and the Boston museum are understood to have been aware
that the work was among those recovered from the Nazis.
The director of the Art Loss Register, James Emson, stressed how
difficult it is to determine a work's true owner.
``It is important to remember that this is a very shady period of
history," he said. ``We do know, however, that this painting was in
the collection of Von Ribbentrop and that it was among the 40,000
items seized by the Allies and handed over to France at the end of the
war.
``All but 2,085 were returned to their owners," he added, ``and the
remainder were distributed for safekeeping to Paris and provincial
museums.''
(c Jewish Telegraphic Agency Inc.
Stolen art can turn up in the most unlikely places.
Hey, that's my picture on your wal
l
By Ashlea Ebeling
DANIEL SEARLE, an heir to the G.D. Searle drug fortune, bought the
ethereal Edgar Degas pastel "Landscape with Smokestacks," a view
across a windswept countryside, in 1987. He paid $850,000. The seller
was a reliable dealer. Searle hung the work in his suburban Chicago
home and later lent it to New York's Metropolitan Museum of Art.
But eight years after the purchase Searle received a letter from a
lawyer representing the heirs of Holocaust victims Friedrich and
Louise Gutmann. The resulting court battle over the painting's
ownership turned, among other things, on how diligently each side had
checked the artwork's true ownership.
The Gutmann heirs claimed that the appearance of a notorious German
art dealer, Hans Wendland, in the painting's ownership record should
have raised a red flag. Searle claimed the Gutmann family sold the
painting in Paris in 1939 and that even if it were stolen, the heirs
could have found it much earlier if they had been searching
diligently.
A settlement last summer left ownership divided 50/50. Searle donated
his share to the Art Institute of Chicago. The Institute will purchase
the heirs' share. But even that compromise ended up costing Searle
more than $1 million in legal fees.
Can art buyers protect themselves against this sort of hazard? They
couldn't in 1987, but now collectors and museums can buy defective
title coverage or "war loot" insurance. It is available from Hiscox
Syndicate 33 at Lloyd's of London. Such policies were previously
available only to dealers and were limited to $1 million. The new
Lloyd's policies are aimed at collections worth $10 million or more
and provide up to $50 million of coverage. If an ownership challenge
arises, the insurer funds a legal defense. It also pays out the value
of the artwork to the policyholder if the fight is lost.
Disputes over ownership are cropping up more frequently these days
(see table). The opening-up of eastern European archives and a recent
State Department conference on Nazi-looted assets will give claimants
even more documentation for pursuing their cases.
Hundreds of thousands of works were stolen in the Nazi era alone and
are probably now worth more than $1 billion. An unknown number were
stolen by Soviet and Allied soldiers. "Nobody has a real handle on the
extent of the problem," says Anna Kisluk, director of the Art Loss
Register in New York, which maintains an international database of
stolen art.
The new insurance doesn't come cheap. The premium could be as high as
2% for a collection where there are gaps in ownership history.
That's $400,000 for a $20 million policy. Still, given the
extraordinary cost of artwork and litigation these days, Lloyd's is
probably going to find some takers.
Sydney Morning Herald
Umbrella Man was an art dealer and computer ace
By LES KENNEDY, Chief Police Reporter
The mystery surrounding the identity of a homeless man murdered 12
days ago in Sydney's Domain has been solved.
Until yesterday the man, dubbed "the Umbrella Man" by council rangers
and Royal Botanic Gardens staff because he would construct a tepee
from umbrellas for shelter in the night, faced a pauper's burial in an
unmarked grave.
But now The Rocks detectives, who could not contact his relatives in
Victoria yesterday, believe him to be former Melbourne art dealer and
computer technician David Murray, a man who turned his back on
mainstream society almost two decades ago.
His identity emerged as Herald readers responded to a story on police
efforts to identify him and locate his killer.
Mr Murray had changed his Christian name from David to Adam after
taking up residence in what he called the "Starlight hotel" at Mrs
Macquaries Chair 14 years ago.
The man who, unlike many vagrants, shunned alcohol, told of his life
three years later in the Good Weekend magazine.
Mr Murray, then 58, was living in a small plastic-clad humpy built at
the cliff base of Mrs Macquaries Chair near the northern end of the
Boy Charlton swimming pool.
It eventually grew into a home with raised floorboards, a hammock,
crude shelving and table and even a small garden until it was torn
down four years ago for being an illegal structure.
The slim, bearded man had once been a technician at the Royal
Melbourne Institute of Technology. Later he worked with a computer
firm before opening an art gallery in the Melbourne suburb of Prahran.
But according to his brother the business went broke around the same
time as the breakdown in his marriage, which had resulted in two
children.
After Mr Murray's wife remarried and settled in Western Australia, he
lived briefly with his father and adopted a life of painting and
sculpture. He refused to go on the dole, even when he arrived in
Sydney.
In 1989, he told Good Weekend that every day he set an issue to think
about and resolve: what is the best way to bring up a child in Sydney
or how strong is the role of women's independence in this city. When
he found the answers, he would paint a series on those answers.
"I don't want to paint glibly, without any insight," he said.
He described himself as "just a poor, down and out hobledehoy" whose
favourite sport was watching the "nine to fivers" surge out of their
city offices in the peak-hour rush, after spending his day rummaging
through bins and walking the city.
He also told of the perils of living in the Starlight hotel. Nights
when drunken louts hurled bottles at him. Times when he returned to
his camp to find his few scavenged belongings stolen, scattered or
thrown into Woolloomooloo Bay.
Despite the perils of living in the open, the Umbrella Man wouldn't
swap his squat and view for anything in the world. It cost him his
life on Saturday, November 29, when someone bashed him to death with a
blunt object.
From: Vivian Lea Stevens scarlett@CFW.COM
Subject: Stolen Sutler Trailer
Hi, folks...I know this is a little out of our scope, but wanted to
alert as many folks as possible. Please pass this along to any other
lists that you think might be appropriate. It has already gone to the
French & Indian War List (history@kmag.deerfield.com), the American
War for Independence List (revlist@meridiantc.com) and the Brigade of
the American Revolution (brigade@n.ml.org).
Thanks for your help!
VivianLea Stevens
On December 1, 1998, Bill and Gayle Fox (Side-Kick Sutlers) parked
their trailer in the lot of a truck stop on I-20 just outside of
Shreveport while they went into town for transmission repairs. While
they were gone, someone stole the trailer. This was their means of
making a living.
Please beware of anyone not of the re-enacting hobby that is trying
to sell you any goods. Also, watch your local classified ads for any
Civil War relics for sale.
Please forward this message to as many re-enactors as you can. If
you think that you may have stumbled across any of the stolen items,
please contact me at EJC715@aol.com. I will contact Bill immediately.
Thank you,
Carolyn Elliott
Louvre, Grand Palais museums closed in Paris because of strike
Copyright c 1998 Nando Media
Copyright c 1998 The Associated Press
PARIS (December 9, 1998 5:57 p.m. EST http://www.nandotimes.com) --
Striking workers closed two of Paris' best known art museums on
Wednesday, the Louvre and the Grand Palais.
The workers are demanding the museums hire more personnel and improve
working conditions, said a Louvre spokeswoman, Patricia Mounier.
Negotiations will continue Wednesday afternoon and a resolution seems
imminent, she said.
The striking employees divide their work schedules between the Louvre
and the Grand Palais exposition hall, which is running a special
exhibit of the works of painter Gustave Moreau.
Their walkout is the latest in a wave of strikes that have closed
major Paris attractions, including the Eiffel Tower and the National
Library.
The Orsay Museum turned away frustrated visitors for two weeks in
November while museum workers waged a strike during a hugely popular
exposition of the works of Jean-Francois Millet and Vincent Van Gogh.
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