The Parthenon Marbles
 

 


 


Melina Mercouri in her tireless campaign for the return of the Parthenon marbles to their home in Athens addressed the British Authorities; "You must understand what the Parthenon Marbles mean to us. They are our pride. They are our sacrifices. They are a tribute to the democratic philosophy. They are our aspirations and our name. They are the essence of Greekness".

These are the Greek treasures that were violently torn from the temple's frieze by employees of Lord Elgin the year 1802 when Greece was under Turkish occupation. The history of how these marbles finally were placed in the British Museum is long and painful. Suffice to say here briefly how they got there.

Lord Elgin was the first ever British ambassador to the Ottoman Empire. He was more than welcomed. Turkey had declared war on Napoleon's France and Great Britain was therefore a useful ally. His influence at the sublime Porte was beyond question. He also endeared himself to Turkish authorities in Athens by often making them costly gifts.

At that time Lord Elgin was planning the decoration of his stately home in Scotland. He was advised that there were nothing more beautiful than the sculptures of the Greek Parthenon. He engaged a crew to make copies and moldings of these sculptures to make his house beautiful. But once in Constantinople his appetite became voracious. Why only copies and moldings? Why not the original sculptures? How to obtain them?

There was no concern for what the Greek under Turkish domination felt about the plundering of it's most precious creations. Elgin had influence enough "and promises of solid proofs of friendship" to obtain from the Turkish vizier, limited and conditioned as it was, a permit, called a firman. This is what it said; "That the artists meet no opposition in walking, viewing, contemplating the pictures and buildings they may wish to copy; or in modeling with chalk of gypsum the said ornaments and visible figures; or in excavating when they find it necessary in search of inscriptions among the rubbish; or when they wish to take away some pieces of stone with o1d inscriptions or figures there on, that no opposition be made to them to particularly as there is no harm in the said buildings being thus viewed, contemplated and drawn".

The imperative question is, can this document, by any measure of veracity be interpreted as permission to use giant saws to tear from the temple (and causing terrible damage to the edifice) half of the sculptures from the temple frieze. Greeks say no. Archaeologists and historians. British among them, say no. By an overwhelming vote UNESCO says no. 269 members of the European Parliament sent a petition saying no. The British Labor party says no and astonishingly Lord Elgin said no.

This from Elgin letters; "It was no part of my original plan to bring away anything but models" and this from another Elgin letter; "The Turkish government denied that the persons who had sold these marbles to me had any right to dispose of them". Today more and more of the English people galvanized by the British Committee for the Restitution of the Parthenon Marbles are urging the return. The British Labor Party is on record, now newly confirmed, that should they be voted to power they will promote the return. There is reason for great optimism. Melina Mercouri Foundation are effectively seeking support for the realization of the New Acropolis Museum in which space wil1 be reserved for the great day when the Parthenon marbles come back home.

Melina said; "I hope that I will see the Marbles back in Athens before I die; but if they come back later I shall be reborn".

Jules Dassin


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