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Stolen Property or Finders Keepers
" What a society deems important is enshrined in
its art"
Broudy
INTRODUCTION
The ownership of many priceless
artworks has become questionable because of how each was acquired. Some were
gotten through outright theft, others were the spoils of war. Some were taken
in the process of colonization, some as bounty and others by treasure hunters.
You will become investigators and reporters. After your investigations you will
present a case which will help determine the legal and ethical title of the
rightful owners.
Museums and the Spoils of War
From a paper by
Alan Riding
New York Times Sec. 4,
P. 3, Sunday March 12, 1995
Even before the Romans took their pick of Greek statues, art was
treated as war booty. Throughout Europe's turbulent history, art works
regularly changed hands through armed conflict or political domination. And
from the 19th century, the Europeans began bringing Asian, African and Latin
American treasures into their museums -- to save them, it was claimed, from
destruction.
Increasingly, however, "victim" countries are refusing
to view history as a closed book. Greece has long demanded the return of the
Elgin Marbles, the 253 sculptures from the Parthenon that are in the British
Museum. Turkey, China, Cambodia, Nigeria, Mali and Bangladesh say their
cultural heritage was ransacked. Mexicans lament that the feathered headdress
of the Aztec Emperor Moctezuma is in a Vienna museum.
"For Turkey, the point of departure is that pieces should be
returned to their country of origin," said Ahmed Ulker, a Turkish diplomat
at Unesco, the United Nations cultural body that promotes restitution of unique
art treasures. "Of course, we don't want to empty Western museums. But, as
a matter of principle, art works exported illegally should be returned."
....
THE TASK
You will be divided into small groups. Each group will be asked to research an
individual case which involves adventure, intrigue and sometimes actual theft.
Each person in the group will become a professional investigator and will have
separate tasks to complete. When each individual has completed his or her part
of the work, the group will prepare a final presentation to the "Court of
Public Opinion," which will decide the fate of this work. Will it stay
with the present owner, or will it be returned to its country of origin?
OBJECTIVES
ROLES IN
EACH TEAM
QUESTIONS TO ASK
QUESTIONS TO ASK
QUESTIONS TO ASK
QUESTIONS TO ASK
RESOURCES
STOLEN ARTIFACTS AND ANTIQUITIES
1.
A story of the Koh i noor Diamond Royal Crown Jewels and India/Pakistan
A version
of the story of the history of the Korinoor diamond which now is one of the
crown jewels of the Queen of England
http://www.fyi.net/~punjab/warriors/nalua.html
Some
of the world's most famous diamonds including the Koh i noor.
http://www.dfwnet.com/diamondtrade/html/world_famous_diamonds.html
2.
GREEK ELGIN MARBLES
British Museum and Greece
UoB
Hellenic Society: Newsletter - June 96
http://www.bris.ac.uk/Depts/Union/Hellenic/kafe3_2.htm
Return
of the Marbles Return of the Marbles; an article in US News and World
Report
http://www.usnews.com/USNEWS/issue/970331/31out3.htm
News on the
Elgin Marbles
http://www.virtual-pc.com/museum/news.htm
Report
on Labor Party position on return of Marbles
http://206.33.4.2/news/greek/mpab/96-04-04.mpab.html#05
3.
GREEK JEWELRY FROM GRAVEYARD Greek Jewelry /NY art dealer
Ancient
Greek Jewelry found according to article in LA Times. The Aidonia Treasure
discovered. The Michel Ward Gallery in New York vs. The Government of Greece
Greece sues Michael
Ward Gallery for return of Mycenean Jewelry
Aidonia Treasure is
returned to the Hellenic Republic Ministry of Culture.
http://www.culture.gr/3/32/3201/e960123.html
4.
CYPRIOT MOSAIC
Government of Cyprus vs American Art Dealer
Appeal of
Decision in US court about return of Cypriot Mosaic from French and US Art
dealers
5.
BENIN BRONZES =
Nigeria and Glasgow Museum
CNN
- Africa losing priceless relics - Oct. 10, 1995
http://www-cgi.cnn.com/WORLD/9510/mali_relics/index.html
Scanned Page from
London Paper about Benin Bronzes
http://the.arc.co.uk/arm/art/beninNewsClip.jpeg
African Religious And
Cultural Objects - Letter from Bernie Grant, MP to Julian Spalding Curator
of the Glasgow Museum which holds the Benin Bronzes
http://the.arc.co.uk/arm/CRBBletter1.html
Letter from Juilan Spalding
in response to Bernie Grants letter
http://the.arc.co.uk/arm/CRBBletter3.html
Letter from Emmanula N
Arinze to Julian Spalding Curator of the Glasgow Museum which holds the
Benin Bronzes
http://the.arc.co.uk/arm/CRBBletter2.html
List of Items in Glasgow
from Benin Bronzes collection
AfrICOM ARM Benin Bronzes
http://the.arc.co.uk/arm/home.html
6.
NAZI THEFT FROM JEWS -
Family of Jewish couple and an American private collector
A chilling
tale of Nazi war loot, a murdered Jewish couple and a small Degas pastel
currently owned by a prominent American collector
http://www.artnet.com/magazine/news/tully/tully8-30-96.html
7.
ANKOR WAT tourists,
foreign governments, Cambodia
Beautiful
description with photographs of a tourist in Cambodia. Subheading Ankor's
Angels is about stealing antiquities from the temples http://www.asiaplus-usa.com/asiaplus/zine/faces-of-cambodia.htm
8.
PERUVIAN ANTIQUITIES
Interesting story about Peruvian
antiquities http://marauder.millersv.edu/~columbus/data/art/NAGIN-01.ART
Crackdown
on smugglers by US government
http://marauder.millersv.edu/~columbus/data/art/NEWSBRF1.ART
9.
PRIAM'S GOLD COLLECTION From the ancient city of Troy to become the spoils of WWII
Priam's
Gold Collection
http://www.nd.edu/~astrouni/zhiwriter/spool/96041901.htm
A
letter about a visit to the exhibition.
http://www.umich.edu/~classics/archives/aegeanet/aegeanet.960703.02
The current
status of the Trojan gold
http://atlantic.evsc.virginia.edu/julia/AW/trojan.html
The Pushkin Museum
where Priam's gold is on display. Currently there is nothing about this
exhibit on this site.
http://www.global-one.ru/english/culture/pushkin//
10.
NATIVE AMERICAN private
dealers vs. Native American Tribal associations
Native
American ArtPages
http://indy4.fdl.cc.mn.us/~isk/art/art.html
American Indian Ritual
Object Repatriation Foundation
http://www.repatriationfoundation.org /
Spoils of War -
US Army and Indian artifacts
http://www.repatriationfoundation.org/spoils.html
Return of the
Antler combs
http://www.repatriationfoundation.org/V3i1.html#iro
Return of the
Horsestick
http://www.repatriationfoundation.org/V2i2.html#hor
Return of the
False Face Masks
http://www.repatriationfoundation.org/V1i1.html#fal
Stolen Art Work
http://www.swifty.com/stolen.html
WHAT IS
THE LAW?
CRM: US
Government Agencies
http://spirit.lib.uconn.edu/ArchNet/Topical/CRM/crmusg.html
ArchNet: CRM
& Historic Preservation Resources
http://spirit.lib.uconn.edu/ArchNet/Topical/CRM/CRM.html
Museums
http://www.lib.uconn.edu:80/ArchNet/Museums/Museums.html
Appeal of Decision in
US court about return of Cypriot Mosaic from French and US Art dealers
Art
Historian Code of Ethics - difficult to read
http://sap.mit.edu/caa/The_Profession/ethics/art.hist.ethics.html
Legal instruments
http://www.unesco.org/general/eng/legal/index.html
UNESCO
recommendations for Protection of the World Cultural and Natural Heritage
http://www.unesco.org/general/eng/legal/cltheritage/index.html
Code of professional ethics for museum
and dealer personnel Agencies
http://www.icom.org/ethics
GENERAL
ICOM workshop on traffic
in stolen goods
http://www.nma.gov.au/icom/traffic.html
HotBot
results: stolen antiquities
http://www.hotbot.com/?MT=stolen+antiquities&RG=NA&SM=phrase&_v=2&act.next.x=5&act.next.y=10(11+)
article from book
entitled 100 Missing Objects
http://www.nma.gov.au/icom/restitution.html
Is history just a lot
of bad uncollectible debts?
http://www.worldpaper.com/Jan97/sinclair.html
argument
for and against private vs public ownership of antiquities
http://www.umich.edu/~classics/archives/numism/numism.960423.12
Africa Reparations Movement
http://the.arc.co.uk/arm/home.html
THE
PROCESS
STEP ONE
Form teams and select a case
to investigate
SPECIFIC
CASES
READ
INTRODUCTORY MATERIALS AND STATE THE PROBLEM. LOOK AT THE SUGGESTED QUESTIONS
THAT EACH GROUP WILL ANSWER.
Discuss the expectations of each participant
STEP TWO:
Decide on the role of each
member of the group.
Review the tasks of each person.
Discuss expectations for final presentation. Create evaluation rubric.
Pass out name tags (HISTORIAN, ILLUSTRATOR, MUSEUM CURATOR, LAWYER)
Go over individual questions and make certain each person understands the task.
Historian - person to compile the facts surrounding the case
Illustrator to create a drawing or model of the item and a map
Museum Curator/appraiser - to discover the facts about the art
work itself
Lawyer - to research the law
STEP THREE:
Each group member begins work
on his or her part of the problem
STEP FOUR:
The group reconvenes,
discusses what each member has found and/or produced and plans the final
presentation to the "Court of Public Opinion."
STEP FIVE:
PRESENTATION TIME!
STEP SIX:
The "Court of Public
Opinion" evaluates the presentations
LEARNING ADVICE Do not
confine your research to the Internet. There are valuable resources in books
and other media about these works of art and about the history surrounding the
case.
EVALUATION Your
grade will be based on your group participation and on the final presentation
of the group. The following is a suggested rubric for evaluation
The class will
develop a rubric based on the following criteria:
REFLECTION What
have you learned about ethics, history, the law and the world of art as you
participated in this project? Is there a remedy for the misdeeds of history?
CONCLUSION
This is a problem
that is not going to go away. Your generation will be left to consider the
following questions
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