http://museum-security.org/
securma@xs4all.nl
SITE MAP

Museum Security website statistics; over 1000 hits per week

October 1, 1999

CONTENTS:

- Investigation underway into theft of antique books from Jagiellonian Library
- Museum Flood Damage in NC
- product information: "anti-snatch" picture alarm
- Senate Warns N.Y. Museum on Funds
- Sleuths Learn To Hunt Archaeological Criminals



Investigation underway into theft of antique books from Jagiellonian Library

ONIKA SCISLOWSKA
WARSAW, Poland
Copyright 1999 Associated Press AP Worldstream

Prosecutors in the southern city of Krakow confirmed Monday they are investigating the theft of antique books and maps reportedly worth hundreds of thousands of dollars from the prestigious Jagiellonian Library. Spokeswoman Malgorzata Wilkosz-Sliwa declined to give any more details on what she called the ''sad fact of the disappearance of ancient publications,'' saying the Krakow prosecutor's office planned to release more information later this week. However, the Gazeta Wyborcza newspaper reported prosecutors have given antiques shop owners a list of more than 50 missing books worth millions of zlotys (dlrs hundreds of thousands). It said the theft was discovered in April, but none of the books have been found. The Government Protection Office, an intelligence unit, has also been informed of the disappearance of six atlases and 500 maps from the 18th and 19th centuries, Gazeta said. Officials at Jagiellonian University have ordered a complete inventory of the library's 130,000 old volumes and the installation of a new security system, the head of the university, Franciszek Ziejka, told private Radio Zet. He said the thief had removed the books while leaving the covers behind, stuffed with other books. It was not known how many books were taken or exactly when, he said. Gazeta suggested some of the missing books were from the famed Prussian Library, which came to Krakow from Berlin after World War II. Ziejka said, however, that that was unlikely since the Prussian collection, which includes original manuscripts of works by Beethoven and Mozart, is under special supervision. During the war, the Nazis hid the Prussian Library in the Sudety mountains to protect it from Allied bombs. The mountains became part of Poland when borders shifted after the war and the priceless books were secretly placed in the Jagiellonian Library with only a few of its employees knowing it at the time. Talks are underway on Germany's request for the return of the collection.



(Museum-L) From: Martha Jackson mjackson@NCSL.DCR.STATE.NC.US
Subject:

Museum Flood Damage in NC

Several people have asked about the flood damage from hurricane Floyd in eastern North Carolina. Many museums experienced downed trees and minor flooding or leaks. Seven institutions experienced major damage. Many museum professionals have expressed concern and have asked if they could send donations. The Southeastern Museums Conference discussed starting a disaster relief fund, but staff was advised that museums receiving funds may have their compensation from their insurance companies &/or FEMA reduced because they would have been partially compensated. The best solution seems to be to send donations to the museums or their support groups and designate the gift as "unrestricted".
Below is a brief report on the damage suffered by those seven institutions and where to send donations.
Since hurricane Floyd, much of eastern North Carolina has received up to an additional 10" of rain. Even now it is raining heavily. Many roads that had reopened are now closed again.
Martha Battle Jackson
Registrar
North Carolina Historic Sites
4620 Mail Service Center
Raleigh, NC 27699-4620
(919) 733-7862, ext. 232; Fax: (919) 733-9515
mjackson@ncsl.dcr.state.nc.us


+++++++Product information is forwarded to inform Museum Security Mailinglist subscribers and does not reflect your moderator's opinion about these products++++++++++
The problem: Opportunist theft is on the increase. Art and artefacts can be readily moved across borders and disposed of for cash. Increasingly museums, churches and universities are being targeted. Larger museums have invested in sophisticated security equipment, but even they have items, which are either awkward to protect as well as temporary exhibits and external shows. For smaller museums, churches and universities, the need for security is a recent problem. Yet, what to do.and it can be so costly.and in some rooms wiring is completely impracticable.
Whatever paintings you have, their value and significance is often immeasurable but how should you protect them ?
EURONOVA Ltd introduces the:

"ANTI-SNATCH" PICTURE ALARM

The unit is suitable for fitting to the reverse side of a picture or other object. It is simple to fit, does not require any additional wiring and is unobtrusive. The alarm detects sudden movements and will protect the item from a "snatch and grab" theft. Controlled by a key switch, the alarm is battery operated and features a siren capable of producing 112 decibels. When activated the siren sounds for 60 seconds and then rearms. These alarms can form a cost-effective alternative to security wiring of your premises. One key can control all alarms. INSTALLATION: The alarm should be fitted at the top of the painting using double sided sticky tape - supplied. Ensure the surface is clean and free from grease. To set the alarm insert the key, turn it and take it out. The alarm will emit 2 beeps. You now have approximately 30 seconds to hang the painting back on the wall before the alarm sets itself. SENSITIVITY: The electronics have been set so that a gentle push will not set off the alarm but a knock will. This is to enable cleaning and dusting to be done and also for the painting to be very carefully taken off its hook. Any sudden move or knock will set the alarm off. If there is a chance that a client may accidentally do so, we recommend labelling so to make them aware there is an alarm. 112 dB can give a fright ! So keep the keys nearby. Sensitivity can be adjusted for protection of special areas like display cabinets or paintings on stud walls next to doors that might slam. Contact Euronova for details. BATTERIES: One 9volt PP3 is supplied, it usually lasts 4 to 6 months. We from Euronova. KEYS: All the alarms for one gallery can use the same key if this is requested at the time of ordering. SECURITY: The Euronova "Anti-snatch" Picture Alarm can be a valuable addition to your security arrangements but should used in conjunction with other security precautions.

SPECIFICATION:

Product: "Anti-snatch" Picture Alarm
Colour: White or Dark Brown
Sensitivity: Very High - (variable by expert user)
Size: 18cm(7") * 3.2cm(1.25") * 2.4cm(1")
Volume: 112 dB
New products to help secure your valuables from Euronova.
Euronova Ltd, 3 Hartington Park, Bristol BS6 7ES, UK Tel: 44 1179
442061 Fax 421430 email@euronova.co.uk


Senate Warns N.Y. Museum on Funds

WASHINGTON (AP) - In a slap at the Brooklyn Museum of Art, the Senate approved a non-binding measure Wednesday saying the museum should not get federal funds unless it cancels an exhibit featuring a picture of a feces-covered Virgin Mary. By voice vote, the Senate attached the resolution, sponsored by Independent Sen. Bob Smith of New Hampshire, to a spending bill covering the Labor, Health and Human Services departments. ``People can do what they want to do and they can draw what they want to draw,'' Smith said from the Senate floor. But, he said, ``the government doesn't have to fund this garbage.'' There was little debate on the measure, which simply expresses the Senate's opinion. Sen. Arlen Specter, R-Pa., said he was accepting it simply to speed debate on the overall bill, and said Smith's language would never become law. New York Mayor Rudolph Giuliani this week called the painting ``sick'' and demanded it be pulled from ``Sensation,'' an upcoming exhibition of British work at the museum. Giuliani, a Roman Catholic, has threatened to freeze $7 million in public funding to the museum unless the painting is pulled - a move artist Chris Ofili's London representative has called an infringement on free expression. Smith said the museum has received $500,000 from the National Endowment for the Arts in the last three years.


Sleuths Learn To Hunt Archaeological Criminals

By Morgan Lee Journal Northern Bureau
SANTA FE -- A park ranger spies a man in camouflage carrying what looks like a shovel near an archaeological site. Minutes later a lone mountain biker clad in spandex and a "No Fear" T-shirt leaves the area. The ranger stops the innocuous biker. His hands are covered with dirt. His story doesn't jibe. There's an open gun case in a car back in the National Park Service parking lot. It's not a Tony Hillerman mystery novel. It is a drill designed to teach rangers, wildlife managers and even scientists how to enforce the Archaeological Resources Protection Act. The 1979 act made it illegal to excavate, remove, damage, alter or deface archaeological resources on public land without a permit. It also restricts commerce in illegally obtained objects. The maximum penalty for small violations is $10,000 and a year in jail. But objects worth more than $500 can result in a felony conviction, fines up to $100,000 and five years in jail. The course is taught through the Federal Law Enforcement Training Center once a month at locations across the country. At the last stop in Virginia, instructors talked about battlegrounds pillaged by looters with metal detectors and shovels. Last week in Santa Fe, course instructors talked about looters who saw petroglyphs from sandstone cliffs and dig "potholes" in search of valuable American Indian ceramics and burial objects. Some treasure hunters are still searching for gold stashed away 400 years ago by a Spanish priest during the pueblo revolt, Park Service Special Agent Phil Young explained during a slideshow about recent ARPA cases in the Southwest. Young patrols artifact shows in New Mexico undercover and once investigated his next-door neighbor for an ARPA violation. "He lives in Utah now," Young told the class. The students at the course last week weren't your typical law enforcement officers. U.S. Fish and Wildlife Officer Bill Peterson wore a shaggy blond mustache and wrap-around sunglasses. He brought his skateboard to Santa Fe and, in between legal lessons, joined teen-agers at play in the riverside skate park downtown. Peterson works for the U.S. Fish and Wildlife Service patrolling the Marais des Cygnes Wildlife Reservation in Kansas, a biologically rich 7,500-acre river corridor once inhabited by Native Americans and later named by French traders. Peterson discovered a 7-acre site full of artifacts that was later mapped by archaeologists. He has not run into the brand of hard-core looters that are said to prowl the Southwest. More often it's farmers who uncover artifacts with a plow at the riverside refuge. Circumstances are worse in the Jemez Ranger District northwest of Santa Fe, according to Forest Service archaeologist David McCray, one of several archaeologists to enroll in the $200 course. He knows what it's like to discover potholes left by looters. "In the field, we're short on resources, and we never found the goods or the perpetrators," he said. Next time might be different for McCray, who took quickly to documenting a mock crime scene. "Handling a crime scene and an archaeology site feels like doing the same thing," said McCray, whose Forest Service District includes more than 3,000 documented archaeological sites. "You're looking for evidence and trying to put together a puzzle." McCray said many of the sites he works on -- some of them new discoveries -- have been looted or vandalized. "I've lost count of the fire rings built with archaeological stone," he said. "It's hard to tell in some cases if it's ignorance or malicious intent." The tools of the trade for documenting a looted archaeological site can be fairly simple. McCray and three other students from Florida, Hawaii and Leesburg, Va., mapped a mock, looted site at an arroyo off the Santa Fe Trail using a compass, a plastic ruler, a point-and-shoot camera and graph paper. They tagged evidence with orange flags and took careful notes on the location of pottery shards before slipping them into plastic evidence bags. The team cast a plaster mold of an impression left by a shovel, the kind of evidence that when matched with a real tool has won convictions in court. Course director Woody Jones compares the role of the archaeologist at a looting to the medical examiner at a murder scene. "It's the death of an archaeological site, and they become the expert witness," Jones said. Some parks and refuges are using seismic sensors and remote cameras to monitor sites and alert them to illegal activity. Experts and authorities are emerging in the field of archaeological resource protection. Course instructor Martin McAllister is a private contractor working out of Missoula, Mont. His business is called Architectural Resource Investigations, and he is serving as an expert witness in an Idaho ARPA case. The U.S. attorney for Utah, Paul Warner, traveled Thursday to Santa Fe from Salt Lake City to drop in on the course. His assistant U.S. attorney, Paul Dance, is a course instructor who lends an extra dose of expertise about the West and Southwest. The Utah office prosecuted the famous Polar Mesa Cave case, resolved in 1997, in which looters took a child's skull and artifacts worth about $5,000 and caused more than $500,000 in damage, Warner said. "Most federal prosecutors are tangling with guns and the sexy stuff you see in the newspaper," Warner said. Pursuing white-collar violations of ARPA and the Native American Graves Repatriation Act can be more difficult for a U.S. Attorney's Office, he said. "When you develop a certain amount of expertise, you have to develop a certain amount of work to maintain it," said Warner. He was outspoken in his defense of the time and expense of ARPA prosecution: "We have a special responsibility to the public and the people who have lived here for thousands of years ... From a cultural standpoint, these objects are invaluable, and they don't have a place in someone's personal collection."
Copyright c 1997, 1998, 1999 Albuquerque Journal
http://www.abqjournal.com/news/2news09-27-99.htm


Main Indexpage