http://museum-security.org/
securma@xs4all.nl
SITE MAP

Museum Security website statistics; over 1000 hits per week

September 1, 1999

CONTENTS:

- Belated thoughts on 'Thomas Crown Affair' (David Shillingford)
- Storage of Old Phonograph Records and Tapes (William Heidecker)
- History's Detectives Moving From the Field to the Lab (Ancient mysteries from the Titanic to Stonehenge yield their secrets to high-tech tools of space exploration, medicine, physics and 'common sense.' )
- ++Moderator's message++ (about additions to Museum Security website)



Send reply to: "David Shillingford" DavidSALRNY@worldnet.att.net
Subject:

Belated thoughts on 'Thomas Crown Affair'

FINALLY I went to see the Thomas Crown Affair and have to agree with the general opinion that it is unlikely to win many Oscars. Perhaps I did not get into the romantic spirit of the occasion as I was concentrating too much on the misrepresentations that it bestows on the (unnamed) Metropolitan. I can quite see their disgust (however politely stated in public) at certain details. For those who have not seen the film, please stop reading now. It seems that the failure of MGM to persuade your subscribers (those that I have discussed it with) to pass on specialist advice on museum security left them short of knowledge not only in the area of physical security but also in acquisitions. It is here that, I believe, the plot is most flawed. Mr. Crown kindly loaned/donated a 'Pissarro' in place of the Monet that he had stolen and on which the (almost) final twist rests. The plot makes the assumption that the museum would not apply the same due diligence in asserting title and authenticity to loans/bequests as they would for an acquisition. Easy for the public to believe but with the legal and, as we see here, PR implications, how many museums would not treat such generosity with the same professional attitude as a purchase?
PS. For those who have visited, or intend to visit, the Met - look up before you enter. Each pair of columns is capped with a pile of unfinished, uncarved stone blocks. I have heard that these were planned to be four monumental figural groups but due to underfunding by the State Legislature, the death of Richard Morris Hunt (the architect) prior to the specification of the detail of the figures, and the substitution of Indiana limestone for white marble they remain uncarved blocks. Is this true?
David Shillingford
d_j_s@bigfoot.com
Tel : 212 262 4831
Fax: 305 768 6176
Cell: 917 520 5093
UK: 171 235 3393
Web: http://www.artloss.com


From: "William A. Heidecker" heideckerwa@worldnet.att.net
Subject:

Storage of Old Phonograph Records and Tapes

I will let the art conservation experts respond to your question as it pertains to conservation. However, as a fire protection consultant, I would urge you--and anyone else storing old phonograph records and tapes--that these items are essentially plastic and plastic is very combustible.
Brevity does not permit me to describe this incident, but British fire experts were astonished during an inquiry of the flammability of computer tapes, which are made of the same material as recording tapes. The tapes were, for the experiment, stored in a small brick building and the local fire brigade was asked to standby. When the tapes were ignited, the burned with such ferocity that the fire brigade was quickly overwhelmed and additional assistance was summoned. The room and the brick building were completely destroyed. Observers said that the plastic tapes melted and ignited, resulting in rivulets of burning liquid. (A copy of the article describing this experiment is available upon request.)
Although I know of no similar tests with phonograph records, I would expect the same or similar results.
Therefore, I recommend:
1. Fire detection, preferably ionization or photoelectric smoke detection.
2. Automatic sprinklers.
3. Limit loss exposure through compartmentation, if feasible. That would isolate the material stored into smaller quantities that could be more easily extinguished.


History's Detectives Moving From the Field to the Lab

Archeology: Ancient mysteries from the Titanic to Stonehenge yield their secrets to high-tech tools of space exploration, medicine, physics and 'common sense.'
By JOSEPH B. VERRENGIA, Associated Press

When British archeologist Howard Carter unearthed King Tut's tomb in 1922, he revealed history's most dazzling cache of artifacts using tools found in any gardener's potting shed--trowels, a fine screen to sift tons of Sahara sand, and wheelbarrows to cart off golden loot. As the millennium turns, researchers in Egypt's Valley of the Kings and thousands of other archeological sites worldwide still lay bare the bones of lost civilizations using the most humble of household utensils. But that's just the beginning of the job. The Victorian image of a solitary scientist dressed in a linen suit and pursuing lost worlds with a whisk broom has been zapped into oblivion by lasers and particle accelerators. The search for ancient cultures now is an expensive, high-tech enterprise that borrows from space exploration, medical research and nuclear physics. Orbiting satellites use the same kind of radar that pierced the clouds of Venus to work like electronic machetes, "clearing" the jungles that obscure long-buried cities and tombs. DNA analysis of mummies and skeletons determines family relationships and human migration patterns over continents and thousands of generations. Scanning electron microscopes examine the silica skeletons of grain from humankind's first harvests. Undersea robots crawl around shipwrecks like crabs, transmitting haunting video images of still-brimming wine jugs in Mediterranean galleys and empty leather shoes amid the Titanic wreckage. "Men and women in white coats, toiling away in their laboratories, have become as important as rugged fieldworkers slogging away under the hot sun," said Christopher Scarre of Cambridge University in England, who has prepared a sweeping analysis of "high-tech digging" for Archaeology magazine. "One day we may be able to excavate a site without ever setting a spade to earth," Scarre said. Some of the mysteries that have been with us for generations, such as Easter Island, still elude definitive solutions. Others can easily be demystified with a simple dose of common sense, as one researcher is trying to do at Stonehenge. But elsewhere, high-tech methods are revealing surprises, even at the most famous and well-documented sites. Egypt's pyramids director, Zahi Hawass, believes that decades of conventional digging have uncovered only 30% of his nation's ancient monuments. Now the work Carter made famous is being accelerated by remote sensing. In the Nile Delta, French marine archeologist Franck Goddio is using the global satellite navigation system to map Cleopatra's palace submerged beneath Alexandria's murky port. Nearly 2,000 years after her suicide by snakebite, authorities hope to reopen the site as an underwater park. In nearby waters, Goddio also has found Napoleon's flagship and other vessels destroyed in 1798 by British Adm. Horatio Nelson. (Descendants of Napoleon and Nelson flew in to witness the discovery in June.) At the Giza Plateau, archeologists are using remote sensing and animation graphics to map the vast public works system that supported the pyramids' construction by 20,000 laborers more than 4,000 years ago. Pyramid workers typically died in their 30s, two decades earlier than royalty. Many suffered from spinal trauma, broken bones and amputations. Some had syphilis. How do we know? Genetic analysis and CT scans. In Peru, U.S. pathologists using CT scans determined that the Ice Maiden, a mummy of an Inca girl, died of a blow to the head as a human sacrifice 500 years ago rather than freezing to death as was initially surmised. At Angkor in Cambodia, NASA researchers using a synthetic aperture radar are mapping 1,000 temples obscured by the dense forest canopy, as well as a network of now-dry canals and reservoirs. In 1100, the images suggest, Angkor may have been the world's largest city, with 1 million people. The radar is mounted on a DC-8. As the jet flies over the tropical jungle, the different pings bouncing off stone, water, plants and soil create a three-dimensional map. Halfway around the world, in the Valley of Mexico, different technologies are peeling back the past. Later this year, researchers expect to pierce the core of the massive Pyramid of the Moon, perhaps revealing the contents of a royal tomb that has lain undisturbed since it was sealed 2,000 years ago. This part of the job remains slow and dirty. Blame it on the architecture. Egypt's pyramids are constructed like a giant anthill, with strong walls and grand galleries leading to a pharaoh's sarcophagus. But at Teotihuacan, 30 miles north of Mexico City, first-century pyramids are built more like a huge Tootsie Pop, with layers of unstable rubble covering a deeply buried tomb. Burrowing into the Moon temple, archeologists can hear the footsteps of tourists ascending the same impossibly steep stairs once climbed by astronomer-priests and their unlucky sacrificial victims. "We might find Tutankhamen of the West," said forensic anthropologist Michael Spence of the University of Western Ontario, referring to the lavish burial of the Egyptian boy popularly known as King Tut. "Or we might find nothing." At the far end of Teotihuacan's creepy Avenue of the Dead, researchers have reassembled the remains of 200 people sacrificed during the city's zenith in AD 200 at the Temple of the Feathered Serpent, or Quetzalcoatl. Spence and others are applying crime-lab methods to preserved biological evidence--DNA, bone isotopes and skeletal traits--to reconstruct the story behind this ancient mass grave. Many victims have bound hands. But none show broken ribs that might confirm historical accounts of still-beating hearts being ripped from chests in homage to the gods. "We think they were buried alive," Spence said. Artifacts suggest the victims were related soldiers. Spence and colleagues are trying to trace their origins by comparing oxygen isotopes in their bones. Ground water in different locations has varied chemical signatures, and bones absorb the oxygen isotopes. And the victims' bone isotopes are not found in ground water around Teotihuacan. Spence believes they were the human trophies of a far-flung military campaign, or perhaps a political housecleaning of the empire. "A clan would not volunteer to lose 30 of its young men," Spence said. One doomed young man tried to kick his way to freedom. Discovering his 1,800-year-old agony was unnerving. "Sometimes at night, when you think about what you've done and seen, it gets kind of spooky," Spence said. "You hear the echoes of some long-past grief." Two thousand miles north, near St. Louis, scientists are using geophysical instruments to electronically peer deep inside a different type of pyramid. Monk's Mound is perhaps the most mysterious ancient structure in the United States. The earthen terrace rises 100 feet over the remnants of the aboriginal city of Cahokia, now a 2,200-acre protected site at Collinsville, Ill. The city of 15,000 flourished around 1300. Researchers have drilled core samples and used remote sensing instruments to investigate a stone tomb or ritual platform deep inside the mound. Stone construction is unheard of at Cahokia. "It's a large structure, and it's very special," said project director William Woods of Southern Illinois University at Edwardsville. "It looks as if there was at least one mound here before Monk's Mound was built." Above the stone layer, researchers recorded a pair of magnetic anomalies 25 meters apart. Each anomaly is about 2 meters wide and up to 6 meters deep. More tests are being conducted this summer to determine whether they are walls. In contrast, stone is the only material at Easter Island. The 63-square-mile black lava outcrop in the Pacific Ocean, also called Rapa Nui, is the planet's most remote year-round settlement, and it's about 1,000 years past its prime. All that remains of its prehistoric culture are 900 monstrous statues --busts of basalt weighing up to 60 tons, gazing blankly out to sea. For decades, Western archeologists have crisscrossed the island searching for clues to what happened on Rapa Nui. Forget the space aliens blather of the 1960s. Analysis of skeletons, tools, fishing debris and the microscopic pollen of hardwood forests suggests a settlement that thrived for centuries, then ran out of food, turned to cannibalism and toppled the statues in defiance and panic. But who built them, why and to what end? The mystery endures. High-tech methods may be most necessary at underwater sites, where slate-gray seas offer no hint of what might be hiding miles below. Explorer Robert Ballard employs an ever-expanding array of robots, cameras and mini-subs to find celebrated deep-water wrecks, among them the Titanic and the Bismarck. In June, Ballard located two 2,500-year-old Phoenician cargo galleys, upright and in pristine condition, 30 miles off the coast of Israel and about 1,500 feet deep. Among their contents: hundreds of wine-filled ceramic jugs. On deck, an incense stand was ready to burn an offering to the gods. "Human history lost on the high seas is waiting to be discovered," Ballard told reporters. But not every ruin needs robots or satellites. Consider Stonehenge, the ring of stone pillars that has brooded over Salisbury Plain in England for 5,000 years. Aubrey Burl, a British authority on stone circles, recently abandoned a lifelong index-card system in favor of personal computer. In minutes, he was able to compare 1,300 sites throughout the British Isles and northern France. Burl's new book, "Great Stone Circles," has bad news for the cloaked Druids, naked nature-lovers and day-tripping tourists who flock to the megalith. Brawny, sky-worshiping ancestors of modern Britons, without the help of writing or the wheel, are widely thought to have hauled its massive stones 200 miles in an epic trek from Wales. They erected them to precisely intersect with the seasonal journeys of the sun and moon. A "lovely story," Burl sniffs. But look again. Stonehenge is not really a circle at all. And, almost certainly, its blocks are leftovers from the Ice Age that Neolithic engineers pried from nearby fields. Impressive, yes. Heroic? Hardly, says Burl. He argues that common sense is enough to debunk the Wales theory. Moreover, Stonehenge's shape and carvings are similar to those found in Brittany, the western province of modern-day France. Stonehenge is French? Sacre Bleu! "I won't say Stonehenge is a mongrel, but it certainly is a hybrid," Burl said. "The entire design is foreign. It is a paradox of construction and nationality." In other words, still a bit of a mystery.



+++++++Moderator's message++++++++++++++

Some of you may bhave forgotten that there is not just the mailinglist, but also a Museum Security Website that is being updated several times a week. All mailinglist reports are available at: http://museum-security.org/artcrime.html
At our latest additions page ( http://museum-security.org/latestad.html) you will be able to see what information was added most recently.


Today's pick:

- Active Crime Tracking System Provided an object is identifiable, it can be entered onto the ACTS Central Database for extensive electronic matching against forthcoming auction catalogues and dealer stock. Up to 90 catalogues are received each day, covering over 7,000 sales and 4 million objects per annum, averaging over 15,000 lots every working day from over 450 UK and 150 USA auction houses.
- Trace Magazine The complete service for locating and retrieving stolen art, antiques and collectables.
- Collectors.org; Theft & Recovery Reports This information relates to recent thefts of antiques and collectibles reported to the police or other authorities that have come to our attention. This is a FREE service that is offered in partnership with the Antiques & Collectibles Dealer Association and the AntiqueWeek Newspapers, who provide many of the reports. Entries will appear on the site for approx. 2 months, unless we are notified before that time that the items have been recovered. Listings may be resubmitted for an additional period. Send information to: Collectors.Org l8222 Flower Hill Way, #299 Gaithersburg, MD 20879 E-Mail: theft-info@collectors.org FAX: 301.926.7648
- The Final Frontier; Online antiques auctions
- The "Looting Question" Bibliography : Web and Literary Resources on the Archaeological Politics of Private Collecting, Commercial Treasure Hunting, Looting, and "Professional" Archaeology Compiled by Hugh Jarvis - PhD Student in Anthropology and MLS Student in Information and Library Studies, University at Buffalo. This resource is intended to be provide a comprehensive overview of what is often a controversial topic, for personal interest and classroom use. This list is intended to provide items which reflect extreme perspectives as well as more neutral and consensus-seeking views. The list is extensive, with the hope that users will be able to find a range of these items close to hand. While the main focus is on North America, materials from around the world are noted whenever possible (and certainly encouraged). Items are added as they come to my attention or are contributed by others. Comments are mine unless otherwise indicated, and are NOT intended to be controversial.
- Study Mission into the Looting of Jewish Assets in France THE PRIME MINISTER'S OFFICE
- SITEWATCH:Protecting the Nation's Archeological Heritage
- THE ILLICIT TRAFFIC OF CULTURAL PROPERTY THROUGHOUT THE WORLD; Looting archaeological sites, stealing artworks from museums and ethnological objects from rural areas have become frequent events the world over. Every day in countries in the southern hemisphere cases of looting of archaeological sites or thefts of artworks are reported either by museum professionals or by villagers who are shocked by the sudden disappearance of an object that was full of religious significance and formed part of their cultural environment. From east to west in northern hemisphere countries, in spite of legislation protecting national heritage, the looting of archaeological sites continues, as well as the theft of artworks from museums, from all kinds of historical monuments, castles, public places, and places of worship.
- The Problem of Looting: Round the world there is a problem of the looting of archaeological sites What can be done about this? This can best be approached by applying the usual economic analysis, and consider first the problems of supply, and then look at demand. First however it is important to emphasise the over-riding importance of provenance. To archaeologists, much of the value of any object comes from its provenance. We need to know not only where it comes from - the site - but where within that site it comes from. Often by knowing the layer and exact location we can learn far more about the object - its date and use and function. Our overwhelming need as archaeologists is to preserve this provenance.
- Archaeological Resources: Twenty-four archaeological sites on public land are known to have been adversely affected by cleanup activities, or by looting and vandalism linked to the spill. This cluster includes projects to excavate, stabilize and monitor injured archaeological sites.
- SHOULD ART BE DESTROYED?: Art, whatever the definition, has certain characteristics. It is equivalent to an entity, perpetuating itself across generations. As a result, it is permanent. Art also implies certain value claims, about the precedence of accumulative creativity over destruction. Permanence and accumulation cannot be ethically legitimised. In practice, there is a stable geo-cultural structure, of ethnic and national art. This structure is not ethically legitimised. The best response is a territorial separation of art.
- Art crime, Inc.: Das Rätsel um die Kunst
- Nazi art thefts come to haunt top museums
- Video suspect in $50,000 art theft
- In the shadow of Indonesian art
- THE GREAT ART CAPER IS THE HEIST OF THE CENTURY ABOUT TO BE SOLVED? TWO CONS MAY HOLD THE ANSWER; the Isabella Stewart Gardner heist..............

Not all of it is brand new information, but all of it is part of our efforts to build an extensive source of information.
Ton Cremers



Main Indexpage