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July 27, 1999
CONTENTS:
- RE: Art Inventory Software (Werner Hillebrecht)
- RE: Art Inventory Software (Pamela Scoville)
- RE: A van Gogh went; The missing $82 million painting (Connie Lowenthal)
- Art Theft in the Movies - The Thomas Crown Affair (fiction) (Jonathan Sazonoff)
- [Fire Safe Heritage]: Fwd: Fire damages 3 historic buildings in San Angelo, Texas
- Colditz Escape Museum & Castle (Antony Anderson)
- Postings of Stolen Antiquities (Jonathan Sazonoff)
- Plan to return the Elgin Marbles
- Egypt split over Rosetta Stone celebrations
From: Werner Hillebrecht werner@yaotto.natlib.mec.gov.na
Organization: National Library of Namibia
Subject: RE: Art Inventory Software
If you want a ready-made solution and have lots of money to invest, go to a software firm. If you have little money and are ready to invest some time in training and experimenting, think of CDS/ISIS from UNESCO. CDS/ISIS was written for bibliographic data but can handle any text-based data as well as links to external files (pictures). It is extremely versatile, and you can taylor it to your needs - it has been successfully used for art inventories, archives databases, etc.
Have a look at the website http://www.unesco.org/webworld/isis
Werner Hillebrecht
National Library of Namibia, P/Bag 13349, Windhoek
Fax +264-61-229808 Tel +264-61-2934489
werner@yaotto.natlib.mec.gov.na
http://yaotto.natlib.mec.gov.na/
From: Appraiserl@aol.com
Subject: RE: Art Inventory Software
I am currently Beta testing an new Collections Management Software called Care-Taker. I do not know when they plan to release it for general use but you can address questions or inquiries to:
Patrick Bougie
Franklin Silverstone Fine Art, Inc.
49 Hallowell Street
Westmont
PQ H3Z2E8
Canada
(514) 932-1500
Pamela D. Scoville
From: Connie connie@rslmgmt.com
Subject: RE: A van Gogh went; The missing $82 million painting
Among the issues raised by Mr Sozanski is the question of whether the Nazi regime had the right to take the Dr Gachet from the Staedelsches Institut museum in Frankfurt (as it did thousands of other works of art, from many museums, the regime considered "degenerate". Because the Nazi regime was internationally recognized, its internal actions would be considered acts of state, not to be revisited at a later date. You might be interested to read about Degenerate Art in Lynn Nicholas' The Rape of Europa; JOnathan Petropoulos' book on Art and Politics in the Third Reich and in the exhbition catalogue by Stephanie Barron in which, about ten years ago, she assembled a number of Degenerate Paintings from the exhibition which the Nazis held in Munich. some they burned.
----------------------------------
Connie Lowenthal, Director
Commission for Art Recovery
Suite 4600
767 Fifth Avenue
New York, NY 10153
tel (212) 521-0105
fax (212) 319-8681
http://www.wjc-artrecovery.org
From: Jonathan Sazonoff saz@kwom.com
Organization: SAZ PRODUCTIONS, INC.
Subject: Art Theft in the Movies - The Thomas Crown Affair (fiction)
Dear Subscribers,
Hollywood has again embraced the theme of art theft in the soon to be released "The Thomas Crown Affair." This MGM film is a remake of the 1968 movie of the same title.
Althought the movie's a work of fiction, MGM has produced a web page about art theft that may be of interest to readers this list.
http://www.mgm.com/thethomascrownaffair/fakes_forgeries/artcrimes.html
To read a review of this movie see VARIETY.COM - Film Reviews
http://www.variety.com/filmrev/cfropen.asp?recordID=1117750004
I wonder if this picture might explain Kellers earlier note about movie makers snooping in NY?
Hope you find this of interest.
Jonathan Sazonoff
Saz Prod, Inc.
http://www.saztv.com
Contributing US Ed.
Museum Security Network
http://museum-security.org/saz.html
To: Fire Safe Heritage firesafe-heritage@middlebury.edu
From: Linda Roark linda.roark@thc.state.tx.us
Subject: [Fire Safe Heritage]: Fwd: Fire damages 3 historic buildings in San Angelo, Texas
Draft PRESS RELEASE
A midnight fire heavily damaged San Angelo's "Three Sisters", a group of late nineteenth-century commercial buildings designed by Oscar Ruffini. All three buildings were listed on the National Register of Historic Places and had been restored within in the last ten years by new owners. The fire extensively damaged the roof and second floor of all three buildings and impacted the first story of the City Cafe and Bakery and Spradley's upholstery and furniture repair shop. An electrical fixture is suspected as the cause of the fire.
Although the West Texas sky appeared through the upper level windows, the community remains positive about the buildings' preservation. City and state officials, building contractors, structural engineers and architects met with the property owners throughout the days following the fire to discuss the extent of damage, steps required to stabilize the buildings and opportunities for assistance. Everyone, including the townspeople of San Angelo, are hopeful that the beloved "Sisters" will be given a facelift and go on. Brief synopsis of the situation based on a site meeting Saturday
: The structural engineer, Steve Lucy of Jaster-Quintanilla, sent by the National Trust performed a thorough condition analysis and is expected to provide follow-up recommendations. His assessment fueled local hopes and provided a critical confirmation to the Fire Marshall. A local engineer will immediately begin to design the bracing and develop plans for the stabilization. The plan of attack will be to remove loose material at the parapet, install wall bracing, stabilize the floors, begin cleanup and weatherproof to prevent further damage. TPTF funds may be sought for later phases of work. I was not shocked to find, in typical West Texas fashion, an incredible display of support and generosity . Historic San Angelo started a fund to save the buildings and the Fire Marshall was the first to contribute!! Architects and contractors have offered their time pro bono and a local steel manaufactor will be asked to donate the wall braces. Following the stabilization, the most difficult work will be to keep the momentum going and locate funding to assist the owners with the extensive rehab required to bring the girls back.
Sharon Fleming Texas
Historical Commission Division of Architecture
http://www.thc.state.tx.us./
From: Antony F Anderson antonya@antonya.ace.co.uk
To: "'Ton Cremers'" securma@xs4all.nl
Subject: Colditz Escape Museum & Castle
Refurbished web pages for Colditz Museum and Castle
Security was supposed to be the watchword. But castles are designed to withstand attack from outside and NOT to stop insiders getting out. Colditz Castle, so impregnable and allegedly so escape proof, proved a challenge to which Allied officers of many nationalities, imprisoned there in WWII as known escapers, rose magnificently. The result was many successful escapes and a unique escape museum. The latter comprised artefacts collected from unsuccessful escape attempts by their Wermacht captors that were The Colditz website, with a virtual tour of the Castle and Escape Museum has been newly refurbished and can be found at:
http://www.cimttz.tu-chemnitz.de/colditz
Antony Anderson
antonya@antonya.ace.co.uk
http://www.cimttz.tu-chemnitz.de/colditz
From: Jonathan Sazonoff saz@kwom.com
Organization: SAZ PRODUCTIONS, INC.
to: IARC (cc: MSN)
Subject: Postings of Stolen Antiquities
Hello to those of the IARC,
I run a web site concerned with stolen art and serve as contributing US Editor for the Museum Security Network (non profit - Netherlands). I'm pleased to have an opportunity to finally make contact with you. A recent posting about stolen ancient coins did lead to an offer, by a fellow who runs several Greek & Roman Antiquities web sites, to host information on stolen artifacts. Before going further, I wanted to contact IARC on how to best proceed. There should be some larger coordination in the field. Do you have any thoughts? I have already produced a page for the Museum Security Network on Archaeology, Antiquities, Theft and Looting http://www.museum-security.org/artifacts-saz.htm Additionally, I keep a private database tracking the world's great art thefts. Making information easily available to the public might dissuade some illegal traffic and make it more difficult to sell illicit antiquities. I hope this hasn't been too presumptious.
Your input on these matters would be most appreciated.
Regards,
Jonathan Sazonoff
President Saz Productions, Inc.
http://www.saztv.com
PS - I 've had past contacts with stateside bibliographers Laura Pope Robbins and Hugh Jarvis. Others who might have concerns in this matter include ALR (they might go on line) and Jouve (producers of the new INTERPOL CD Rom).
By the way, just to share, here is part of the information I'm playing with. The scope of antiquities theft is of course world-wide. The exchange that sparked this concerned Greek & Roman material.
Greek Roman Antiquities Theft
European Archaeology
Illicit Antiquities Research Center --- McDonald Institute for Archaeological Research
http://www.arch.cam.ac.uk/MIAR/projects/IARC/IARC.html
Archaeology Index (Good General Source)
http://www.archaeology.org/index/index.html
Journal of Field Archeology - Antiquities Market
http://tunica.bu.edu/Indices/AntMkt.html
UVM Classics Department Public Service Announcements
http://moose.uvm.edu/~classics/random/pubserv.html
GREECE
Antiquities Dept.Central Services
http://www.culture.gr/2/20/201/central.html
The Aidonia Treasure
http://www.culture.gr/6/68/684/e68401.html
http://www.archaeology.org/9801/newsbriefs/gold.html
http://www.archaeology.org/9605/newsbriefs/aidonia.html
Greek Antiquities sting
http://museum-security.org/97/october31997.html
EMBASSY OF GREECE: PRESS OFFICE - News Flash
http://www.greekembassy.org/press/newsflash/1999/January/nflash0127b.html
ELGIN MARBLES http://museum-security.org/elginmarbles.html
Elgin Marbles http://museum-security.org/reports/004199.html
Greece requests return of Venus di Milo http://museum-security.org/reports/001699.html
Boston Globe MFA Greek Vases http://museum-security.org/reports/08398.html
Antiquities theft aegeanet.
http://www.umich.edu/~classics/archives/aegeanet/aegeanet.970423.04
missing vase http://www.argonet.co.uk/users/whitehall/vase.htm
Thieves steal Salamis statues http://www.cynews.com/July/10/news071014.htm
ROME
Patrimoie Databaase - Beni Culture
http://www.carabinieri.it/tpa/tpa.asp
Il Tesoro che non c'è.
http://www.infcom.it/kalat/monetiere/furtouk.html
The Looting of Italy
http://www.archaeology.org/9805/abstracts/italy.html
Getty Returns Italian Artifacts
http://www.archaeology.org/9905/newsbriefs/getty.html
Getty Returns 3 pieces to Italy
http://museum-security.org/reports/001599.html
Italian raid - 30,000 antiquities recovered
http://museum-security.org/99/017.html
Archeological Recovery - The Good News
http://www.sltrib.com/97/nov/112797/nation_w/9580.htm
Roman sarcophagus unearthed in lebanon
http://www.dubai.net/content/culture/5_98/sarcophagus21.5.98.shtml
Monterreparato Sicily Claims
http://museum-security.org/reports/03398.html
Ancient Roman Ruins Suffer From Theft, Lack Of Preservation
http://www.sddt.com/files/librarywire/97wireheadlines/11_97/DN97_11_24/DN97_11_24_1e.html
Pompeii added to UNESCO List http://museum-security.org/97/06121997.html
Pompeii in decay http://museum-security.org/97/15111997.html
Italian ruins http://museum-security.org/97/17111997.html
Sevso Treasure (coin hoard) http://museum-security.org/99/016.html
TURKEY
T.C. Kultur Bakanligi / Ministry of Culture, Republic of Turkey
http://www.kultur.gov.tr/english/e-genel.html
Articles: The Current Status of the Trojan Gold
http://hakatai.mcli.dist.maricopa.edu/proj/anthro/asb222/articles/article78.html
Turkish Hoard of Coins http://museum-security.org/reports/08098.html Shipwrecked statues returned to Turkey
http://museum-security.org/reports/03898.html
Boston Globe - MFA Turkish Statue
http://museum-security.org/reports/08498.html
MSN REPORTS
Antiquities crime results in auction
http://museum-security.org/reports/05698.html World News - Lubbock Online.com Police recover rare antiquities
http://lubbockonline.com/stories/011699/LA0795.shtml
BULGARIA EL DORADO FOR TREASURE SMUGGLERS
http://www.treasure.com/n21.htm
Plan to return the Elgin Marbles
By Matt Born (Daily Telegraph London)
A PLAN to return the Elgin Marbles to Athens was given a cautious welcome by Greece yesterday. Under the proposal, being considered by Chris Smith, Culture Secretary, the British Museum would open a satellite branch in Athens and the marbles would be housed in it. It was hoped that such a compromise would bypass the main stumbling block in the long-running dispute: namely, Britain's insistence that it retains ownership of the marbles.
The Greek ministry of culture said it welcomed any dialogue which could pave the way to a "friendly resolution" of the row. Although reluctant to give up its claim to the treasure, a spokesman for culture ministry said its prime concern was that the marbles be returned to their historic home, alongside the Parthenon.
Alf Lomas, former Labour MEP for North East London, who presented the proposal to Mr Smith, said: "All the old arguments for and against returning the marbles have been discussed countless times and have proved fruitless. Hopefully this idea will open up the debate and enable the British Government to enter into positive talks with Greece."
He had met Mr Smith and Alan Howarth, arts minister, in May and Mr Smith had appeared "very interested" in his idea. But the Government sees several stumbling blocks, principally the legal issues involved in a British-owned museum overseas. There are precedents for museum satellite branches: the Tate has a subsidiary in Liverpool while the American Guggenheim museum has a gallery in Spain.
The marbles were brought to Britain by Lord Elgin in 1803. Britain has always argued its possession of the marbles is legitimate because Elgin actually paid for them. The fact that Elgin did the deal with Turkey, which was occupying Athens at the time, has formed the crux of Greek claims that the purchase was illegitimate.
The British Museum greeted the suggestion with scepticism. A spokesman said: "The museum is not constituted to have outposts."
Egypt split over Rosetta Stone celebrations
By Matt Born
THERE was one notable absentee as the great and the good of the world of antiquities gathered at the British Museum to celebrate the discovery of the Rosetta Stone in Egypt 200 years ago today. Dr Gaballah Ali Gaballah, Egypt's most senior antiquities official, had announced that he would be unable to attend the opening of the exhibition commemorating the find. Speaking to reporters in Cairo, he said: "I declined the invitation to take part in the bicentenary. We cannot celebrate the bicentenary of something we don't have." In the world of academic archaeology, outbursts such as these are as rare as finding an undamaged relic. Disputes over pillaged artefacts are usually conducted government-to-government - the feud between Athens and London over the Elgin Marbles being a good example. But in the case of the Rosetta Stone, a lack of campaigning zeal by their political masters has driven Dr Gaballah and his colleagues to take up their cudgels. As Egypt's ambassador to London, Adel al-Gazzar, opened the bicentenary celebrations, indicating that his government would not pursue a claim for its return, they felt they had to make their point.
Mohammad al-Soghayar, the head of Pharaonic artefacts at the Supreme Council of Antiquities, added his voice to the mounting chorus of dissent: "Our treasure was stolen. What are we going to celebrate? Its absence? If we recover it, we will celebrate its return." The Rosetta Stone, once described as "perhaps the most famous piece of rock in the world", was the key to deciphering the language of the Pharaohs. It was discovered by a Frenchman, Pierre Bouchard, a captain in Napoleon's army, in the village of Rosetta (or Rashid, as it is known in Arabic) in northern Egypt on July 15, 1799.
Bouchard recognised its significance immediately. The stone's inscription, a decree from Ptolemy V thought to have been issued in 196 BC, was written in three scripts: hieroglyphics, the popular demotic form of ancient Egyptian, and Greek. It meant that for the first time scholars could translate the Pharaonic symbols and - eventually - it enabled them to read the tomb walls of the Valley of the Kings. But two years after its discovery, Napoleon was defeated at Abuquir Bay and possession of the stone was ceded to the English.
The stone, together with a lump of the beard of the Sphinx, was shipped to London and the British Museum in Bloomsbury where, to the consternation of many Egyptians, it has resided ever since. Dr Gaballah said: "Its real home is in Egypt. It is like a child that has been taken away from its mother."
The British Museum is coy on the question of whether the stone should go back. Dr Richard Parkinson, curator of the museum's new exhibition about the story of the stone, Cracking Codes, suggested that it was irrelevant which country kept the stone because it was "the product of two cultures - Greek and Egyptian". In any case, he said, "we've never had an official request for it to be handed back".
Apart from the Fifties, when the regime of President Nasser issued an ultimatum to the West to return all the Pharaohs' "looted" treasure (his demands were ignored), Egypt has always shied away from tabling a formal request to reclaim the Rosetta Stone. Its reticence is a matter of practicality: there are two international conventions governing the repatriation of cultural property but Britain is a signatory to neither.
Although Labour had made a pre-election promise to accede to them, the commitment has been quietly dropped. With little legal leverage, Cairo is wary of provoking a diplomatic row. Nevertheless, it has let its feelings be known through discreet diplomatic pressure and explicitly, three years ago, following John Major's decision to return the Stone of Scone to Scotland after more than 700 years. Farouq Hosni, the Egyptian minister of culture, appealed for a similar gesture to be made with the Rosetta Stone. His pleas were firmly rebuffed.
But with Cairo now climbing down, many British academics believe that it is time that the Government made what Dr Gaballah described as "a beautiful gesture of goodwill", and return the stone to Egypt. Tim Schadla-Hall, a lecturer in public archaeology at University College London, said: "I can't see why we should keep other people's stuff." But while he thinks the stone should be handed back, he thinks that unlikely. The Rosetta Stone is one of the British Museum's biggest attractions.
But as Mr al-Gazzar demonstrated, many Egyptians are prepared to be generous. Opening the new exhibition, Mr al-Gazzar told the audience that a new spirit of rapprochement had arrived. He said: "Our ancient ancestors wrote and inscribed it and your ancient scholars found and uncoded it. These exhibitions are the best ambassadors for Egypt."
The exhibition, Cracking Codes: The Rosetta Stone and Decipherment, is running at the British Museum until Jan 16, 2000.
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