Mark Oliver
The discovery of Titian's £5m stolen masterpiece, Rest on the Flight into Egypt, has been a cause for celebration in the art world after it was revealed yesterday that it had been found safe in a plastic bag. But there are many more important works that have been lost or stolen that are still missing. This list of notable missing works has been compiled by the Art Loss Register, which is based in London.
Joseph Mallord William Turner Shade and Darkness - Evening of the Deluge and Light and Colour - The Morning After the Deluge Oil on canvas, 78.5 x 78.5cm. Stolen July 28 1994 while on exhibition in Frankfurt, Germany. Value £10m.Theft with violence - the security guard was knocked unconscious and tied up in a storeroom.
Jan Vermeer The Concert - Oil on canvas. Stolen on March 17 1990 from the Isabella Stewart Gardner museum in Boston, Massachusetts. Priceless.
Rembrandt Hermansz van Rijn The Storm on the Sea of Galilee - Oil on canvas. Stolen on March 17 1990 from the Isabella Stewart Gardner museum in Boston, Massachusetts. Priceless.
Jean Baptiste Oudry The White Duck - Still Life - Oil on canvas. Stolen on September 30 1992 from an estate in Norfolk, England. Value £5m.
Caspar David Freidrich Nebelschwaden - Oil on canvas. Stolen on July 28 1994 from a museum in Frankfurt, Germany. Value £1m. Stolen along with the two Turner works.
Gustav Klimt Portrait of a Woman - Oil on canvas. Stolen from a gallery in Piacenza in February 1997. Value £2m. Stolen by unknown 'catburglar' who gained access to the gallery via a skylight. Police think the thief used a 'fishing rod' device to hook and reel in the picture.
Thomas Gainsborough Madame Bacelli Dancing - Stolen in June 1991 from a property near Dublin.
Jan and Hubert van Eyck The Just Judges - Panel from The Ghent Altarpiece, St Bavo, Ghent. Stolen in 1934.
Pablo Picasso Head of a Woman (Dora Maar) - Stolen from a yacht in Antibes on March 7 1999. Value £4m.
Vincent van Gogh Flowers in an Earthenware Jug - Believed confiscated from a Chateau in the Dordogne in 1944.
Henri Matisse Still Life with a book, oil lamp & copper tray - Stolen from Musee Matisse in Nice, France on June 9 1999.
Camille Pissarro Rue du Village - Stolen in transit from Berlin, 1938.
Rembrandt van Rijn Boy with a Soap Bubble - Stolen from a small Municipal Museum in Draguignan, Provence in France on July 13 1999.
Raphael Portrait of a Young Man - Formerly in the collection of the Czartoryski Museum in Cracow, lost during World War II. Priceless.
Paul Cezanne Auvers sur Oise - Stolen from the Ashmolean Museum, Oxford, on New Years Eve 1999.
Historical artifacts (university property) found in student's home
By Laura Hancock Deseret News staff writer
A University of Utah physics student charged in an alleged conspiracy to sell NASA moon rocks is now being investigated in connection with Utah Museum of Natural History artifacts and equipment that were found in his apartment. University police returned to the museum three trays of fossils, including a pine cone and a trilobite, a hard- shelled creature that was one of the first arthropods on Earth. It dates back about 300 million years. They also returned about a dozen gems, a two-way radio and a global positioning satellite device belonging to the museum, university police detective Mike McPharlin said. Thad Ryan Roberts, 25, was arrested by the FBI July 20 with two other students. They are accused of arranging with a fourth person to sell moon rocks brought back by Apollo missions. Roberts was working at the Johnson Space Center in Houston before the arrest. The rocks, in a 600-pound safe, were discovered missing from NASA July 15 and were later recovered. Federal prosecutors charged Roberts with conspiracy to commit theft of government property and transportation in interstate commerce of stolen property, an FBI statement said. Roberts and three other suspects in the moon rocks case have posted bail, federal authorities said. U. police were unavailable Friday for a comment on Roberts whereabouts. Shortly after the arrest, Roberts' wife contacted the FBI with information about artifacts and equipment in their university-area apartment, McPharlin said. Roberts and his wife enjoyed collecting rocks, and some items in the apartment legitimately belonged to them. "But there were some things she wasn't certain about," McPharlin said. "She has been very cooperative and helpful in finding stuff all over the apartment," McPharlin said. He said the department is in the preliminary stages of an investigation into how the items ended up in Roberts' apartment. Sarah George, director of the Utah Museum of Natural History, said Roberts was an unpaid intern who received college credit for researching and cataloging items. He has worked at the museum on and off since January 2000, usually taking summers off to work for NASA. "I met him a number of times. He was a nice young man," George said. Museum officials had not noticed anything missing, except for the GPS device, until police detectives told them of the investigation. They took inventory of the collection and determined there were items missing, and they matched those found by police, George said. Museum officials did not notice the artifacts missing sooner because there are more than 1 million items in the collection, and less than one- tenth are on display, George said. "So we don't check them constantly. Everything catalogued is placed in its appropriate place. When we need an object we go to its appropriate place," she said. The artifacts come from Utah and around the world. It is difficult to estimate the value because the gems were returned without their tags. Not all gems have been identified, and it is unknown if they are rare. "The ones we've seen are lovely," George said. "We are really grateful we're able to get these things back." http://deseretnews.com/ From: IntlArtCop@aol.com
Subject: ISC Technology Report #3
This is the third of several reports on technology we saw at the International Security Conference and thought you might like to know about. We are not affiliated with any product and are not paid to report on these.
How would you like to have a visitor control system that allows you to take a drivers license from the visitor, swipe it through a reader, and have the information on the card appear in the database on your PC before you can hend the card back to the visitor? Then, ask the visitor to face the camera and smile. Press a button and out comes a paper adhesive backed ID card printed on standard label stock on any standard label printer. Instantly check to see if the visitor is pre-registered to enter or is expected for an appointment. If not, send email over your museum's LAN to the host and ask for authorization, all of this by a click of the mouse. When they click the button authorizing access, admit the visitor, knoewing he is expected. But first, list items being carried in by the visitor and add them to the visitor's database entry. Input property pass entries and add them to the outgoing visitor's database for a permanent record. The visitor ID is printed with a bar code. Upon leaving, wave the used ID under the bar code reader and the visitor is logged out with date, time and door location added to the database.
Yeah, I thought you would like it. So did we. Check this fantastic system out at www.a1asecurity.com. Use a browser with Flash installed to get the full demonstration of the system.
Remember the anthrax threat? Don't assume that it won't happen again. More productivity and money was lost following up on spilled talc powder or powdered cleanser on the floor than dealing with real anthrax. Alexeter Technologies LLC has the Guardian Bio Threat Alert System (www.alexeter.com) for rapid screening of biological threats. The system includes a desktop reader and small plastic test strips that are inserted into the reader after exposure to whatever white powder or other potential hazard you wish to test. Purchase of the device includes training on its use. The device works like a pregnency test but you insert the test strip into the reader and wait to see what develops. It takes about 15 minutes. You can buy test strips for Anthrax, SEB, Plague, Tularemia, Ricin, Botulinum Toxin, and Brucella, all possible bio attack agents. I'd personally recommend having Anthrax and Ricin strips on hand. Ricin is the only one of the above agents that can be manufactured in a lab by anyone with basic skills using information on the internet so the likelihood it will turn up in the future is good.
I hope that you find this information useful. Steve Keller Museum Security Consultant www.stevekeller.com steve@stevekeller.com
Three charged over art thefts
Three people have been arrested and charged over the theft of scores of paintings worth thousands of pounds - including several from Shropshire galleries. They are accused of the theft of art works believed to be worth a total of almost £500,000, following a police raid in Birmingham. A spokesman for West Midlands Police confirmed that three people had been arrested and charged with a string of thefts from galleries and private collections around the country. They are to appear at Birmingham Crown Court in the next few months, the spokesman added. He said: "These thefts go back several months and range from the West Midlands to Bridgnorth, Telford and as far away as Bristol and parts of Surrey." Award-winning Wellington artist Joan Fielden, one of the alleged victims of the gang, said she had been informed by police that at least one of her paintings had been recovered in Birmingham. Five paintings by Mrs Fielden were stolen from Maws Gallery in Jackfield during a raid in February.
The paintings, worth a total of around £1,000, included oil paintings of Attingham Park at Atcham near Shrewsbury and of Kynance Cove in Cornwall. http://www.shropshirestar.com/ from ConsDisList
From: Randolph Stilson dr_cpr_llc1@juno.com
Subject: Flood damage in the Czech Republic
Randy,
I am writing to inform you of a pressing need expressed by Mrs. Draserova, Director of the State Central Archives of the Czech Republic. Marie spoke to Mrs. Draserova last week, and I am now writing to report on that conversation. The effects of the flood on some of the Czech State Archives is not good.
Briefly, the following repositories and archives were seriously effected:
The District archive of Litomerice,
Academic archive in Prague,
Court archive in Troja (Prague),
The City archive of Usti nad Labem,
Military archive in Prague,
The archive of architecture in Prague,
Prague City Library in Holesovice (Prague), where volumes from the 15th century were damaged).
Worst effected among these were the Military archive at Invalidovna (Prague), where more than 4,500 cartons of documents, letters and manuscripts are lost (some floating away) and the Architectural Archive, at the Academy of Fine Arts (also in Invalidovna) were the extent of the damage appears to be irreversible. Most of the materials which were effected have already been rinsed and frozen, as an immediate preserving measure, but it will be some time before these materials can be dried and restored. Mrs. Draserova has asked us to broadcast a call for techniques and/or new technologies that could be used in this process. What is currently available here is too slow and energy demanding. Please spread the word about this to all your contacts in the Library Science and Archival Science fields. Replies in English can be sent to our email address. We will translate and forward all replies at once.
Finally, the good news: The Administration of the State Central Archives now has the power itself to approve projects such as the Indikacni Skizzy Digitization. Mrs. Draserova will meet with Marie, Jan and I as soon as the flood related activities subside (approximately 1 month). We would be happy to involve the CGSI in this process, and I will write more in the weeks to come as we begin to prepare for this meeting. I am also submitting a detailed briefing of this project to a board member of the American Friends of the Czech Republic, to be discussed among their members at the upcoming Masaryk statue dedication.
Best regards,
Tom
**** Moderator's comments: My note to Mr. Stilson asking for identification of "Tom" has not yet received a response, but given the nature of the message, I thought I ought to pass it on even if incomplete.
Czech Republic: In a City Steeped in History, Prague's Citizens Tally Flood Damage To National Heritage By Jeremy Bransten
The aftermath of a flood is often measured in lost lives, destroyed infrastructure, ruined crops. But when floodwaters swept across Central Europe earlier this month, they also damaged a less tangible, yet equally important, asset: national cultural treasures. In the Czech Republic, for example, irreplaceable book collections, historical archives, and religious monuments were heavily damaged, and work is now under way to save what can be saved, and to raise the money to pay for such efforts.
Prague, 27 August 2002 (RFE/RL) -- The roar of generators reverberates throughout Prague's Old Town these days as the race to drain waterlogged basements and cellars continues, 10 days after the city's worst floods in more than a century.
The buildings still stand, though some may need a fresh coat of paint, and cobblestones are being swept clean. But the receding water left behind underground ravages -- unseen to tourists strolling at street level -- that will take years and many millions of dollars to repair.
Many of the basements of Prague's historic palaces, museums, and concert halls were home to libraries and treasuries, which survived the 20th century's two world wars intact. Today, nearly all are drying out after being submerged in a mix of river and sewer water. In addition, several of Prague's most venerable institutions, such as the Municipal Library and the National Technical Museum, kept their historical archives stored in the city's low-lying Karlin and Holesovice districts, which bore the brunt of the floods.
According to Czech Culture Minister Pavel Dostal, damage to cultural assets around the country will run to at least 2.7 billion crowns, or about $90 million. Dostal tells RFE/RL that this will eat up most of the ministry's budget for the foreseeable future: "I am going to have to significantly limit other activities, especially live culture. This means that subsidies for literature, dance, theaters, concerts will have to be frozen because I have set a new priority for the ministry: to repair the damage caused by the floods in the field of culture as soon as possible. And the damage is not small. As concerns historical monuments, it's just terrible."
Of course, much of the damage cannot be measured in money. The Rudolfinum concert hall's original musical scores, the Academy of Science's 18th-century archaeological logs, the National Technical Museum's architectural blueprints for Prague's National Theater, much of the Interior Ministry's military-history archive, a collection of original manuscripts by the country's leading First Republic writers and statesmen, Charles University Law Faculty's complete interwar collection of books and records, the Theater Academy's archives -- all these were swept up in the flood and all are irreplaceable parts of the Czech nation's shared cultural and historical heritage.
In addition to archives, an estimated 500,000 books were damaged or destroyed. Worst hit was Prague's Municipal Library, whose rare book depository in the Holesovice district was flooded. The depository was thought to be safe, since it was not affected by Prague's last great flood in 1890. The head of the rare books collection, Zuzana Kopencova, is inconsolable: "We had 20,000 rare volumes flooded. The oldest among them was the 'Kampa Bible' dating back to the year 1488. We had many volumes from the 16th, 17th, and 18th centuries -- editions cataloguing other book collections, tomes on Prague's history, on the history of theater, etc.... It was a very interesting and unique collection." As the flood tide bore down on Prague, Kopencova and her staff moved some of the books to higher shelves, but the magnitude, and speed, of the flood was greater than predicted, and the entire building was swamped by two meters of water.
Upon their return, the staff found ancient tomes streaked with mud floating at the bottom of the depository. At this point, only one thing could be done: "We contacted the Mochovce cold storage plant. They reacted immediately and sent over some vehicles. And starting on that Thursday [15 August], we began to wash, wrap, and transport the collection to Mochovce. By Monday [19 August] evening, the whole collection of 20,000 volumes was in their freezer."
Freezing books and shelving them alongside food products at an industrial plant might sound like an offbeat idea, but bibliophiles agree that in the event of a large-scale flood, it is the only way to ensure some of the texts are saved. Mold, especially in old books, sets in only hours after the tomes become wet. Freezing stops the process -- preserving the pages until they can be dried in a purpose- built vacuum chamber.
Chris Woods, head of collection preservation and care at Oxford University's libraries, tells RFE/RL there is some cause for optimism that, if treated correctly, many of the Municipal Library's volumes can ultimately be saved. But the process has its pitfalls, and the scale of the damage will not be known until the books are unfrozen.
"Early papers, if they're not severely damaged through some other means, in addition to the wetting, are actually very good at surviving a flooding process and subsequent freezing and drying. But of course, what is immediately obvious to anyone is that the wetting process can lose inks and pigments, and if those inks and pigments are soluble in water, you will lose them. It's as simple as that. In addition to that, when things are made wet, very often, even in a very controlled drying situation, pages can block together. And so you have the added problem that you might well have several pages that are a solid block, and separating them actually causes the damage -- not the flooding itself."
And that is not all. Woods continues: "In addition, of course, books swell when they become wet, so old books split their spines. Their leather shrinks badly and becomes very brittle afterwards, if they've got leather covers. So there really is a raft of problems associated with that. And a secondary issue, but a very important issue and often the first thing that strikes one is that floods often involve contaminated water -- sometimes pollution, sewage, and so forth -- and there is a major health and safety risk to people handling this material."
Also hit by the floods was Prague's ancient Jewish quarter. The director of the Jewish Museum, which administers the quarter's five synagogues, exhibition rooms, and cemetery, is Leo Pavlat. He explains to RFE/RL why the area is so important historically and such a magnet for visitors to the city: "Here, within a relatively small area, several historic monuments -- synagogues -- have been preserved. I can mention the oldest among them, the Old-New Synagogue, from the 12th century. But there are also renaissance synagogues. We have a baroque synagogue, which is unique. We also have the old Jewish cemetery from the 15th century. So such a concentration of historical Jewish monuments in such a small area is unique."
Although the Vltava River did not overflow its banks into the area, as initially feared, 1 1/2 meters of groundwater did seep into several of the medieval synagogues, which extend below ground. In the 16th-century Pinkas Synagogue, water cracked the plaster on walls stenciled with the names of 80,000 Czech Jews who perished during the Nazi occupation. The building also suffered other costly damage.
Leo Pavlat again: "The floor heating was destroyed, as well as a balustrade and the lighting system. It's going to need major repairs. And on top of that, engineers have voiced fears that the structural soundness of the building may have been affected and will have to be monitored. So I would say that the Pinkas Synagogue will be closed for at least a year before everything can be brought back to the way it was."
Some have dubbed this August's devastation in Central Europe the "UNESCO floods." In addition to Prague, the Czech town of Cesky Krumlov, the Austrian city of Salzburg, and Dresden in eastern Germany -- all on the world cultural body's register -- were inundated.
Chris Woods, at Oxford University, says the catastrophic flood of 1966, which tore through the Italian city of Florence -- another World Heritage site -- shows that in time, cultural treasures can be rescued. Four decades on, traces of the damage in Florence are hard to find.
But in Prague, attitudes are not yet so sanguine. Culture Minister Dostal seems overwhelmed by the task ahead as he contemplates the seemingly endless list of ruined palaces, castles, houses, and theaters, as well as the shelves of frozen books: "There are millions and millions of pages which have to be restored. Restoration experts are saying that it will take decades, if not centuries, to repair just written material from the field of culture."
In a cruel twist, the country's leading book and art restoration workshops were also destroyed by the flood, leaving few means to start on the task ahead. Zuzana Kopencova, at Prague's Municipal Library, says reconstructing these premises will be her first priority -- if she can obtain the funds.
"It's a very urgent matter because our restoration workshop is totally wrecked. Only two machines remain that can still be used. When I added it up, a well-equipped restoration workshop would cost some 3 million crowns [about $100,000], but there is no money. Other libraries were flooded. City Hall has no money. Neither does the Ministry of Culture. We are trying to get help from outside, but for now, we haven't had any success."
Prague's Municipal Library, like other institutions, is hoping that the millions of tourists who visit Prague each year will spare a thought and open their pocketbooks to help restore the city's treasures.
(The Prague Municipal Library has opened an account for donations to help get its books out of the deep freeze. The account number is: 2000280080/6000. Bank address: Prvni Mestska Banka, Prague 1, Czech Republic.) http://www.rferl.org/