July 2, 2002

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Major U.S. Museums and Auction Houses have just received one of the largest Holocaust-related art claims in Decorative Arts.

For immediate release
New York, N.Y. – July 01, 2002 – 23 Major U.S. Museums, including the Metropolitan Museum of Arts and the Museum of Fine Arts in Boston, the three major Auction Houses and the largest US-based art dealer groups have just received what amounts to be the potentially largest single Holocaust-related art claim in Decorative Arts. The Jewish family which recently filed a claim against an entire collection with the Carnavalet Museum, located in Paris, has now notified all these US institutions to check provenance on decorative art items sold after 1939 on the Paris market.
This Jewish family initially filed a claim against the Bouvier collection at the Carnavalet Museum, one of the most prestigious XVIIIth Century French Furniture collections in the world. This collection was donated by Henriette BOUVIER, an antique dealer, to the Carnavalet Museum, in 1966. The art claim was filed by a Jewish family stating that this collection actually belongs to an estate which was looted during World War II. Items from this estate which may have been sold by Henriette Bouvier after 1939 and now in possession of US Museums, collectors or art dealers in the US will be considered of suspicious provenance. Given the strong market activity in Decorative Arts in France during and after the 1! 940s, this looting activity may have a strong impact in the US market as well.
All institutions have been invited to check provenance and report to the claimant directly, in order to prevent complex legal procedures. Copies of this claim have also been filed with the FBI, the Department of Justice, the US Customs Service, the New York State Banking Department and the State Department.
The initial claim against the Carnavalet Museum was filed on May 21, 2002 with the Drai Commission, a Government-appointed commission in charge of resolving all Holocaust-related claims covering assets in France. This claim already attracted considerable attention in the French press due to the importance of the antique dealer Henriette Bouvier in the French Decorative Arts market during the 1940s and 1950s.


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