Museum Security website statistics; over 1000 hits per week

January 4, 2000

CONTENTS:




- Moderator's message (new page on MSN website)
- MORE ON ASHMOLEAN BREAK-IN (Patrick Boylan)
- Physical Intervention (Gene Hickman)
- Re: request for feedback (Michael Gips)
- Re: Stolen Items on Ebay (Steve Keller)
- Fossil site was stripped clean By Dale Gnidovec
- Holocaust Museum Director Dies



Moderator's message (new page on MSN website):

The past week I have started to make some order in the abundance of information on the MSN website. There is a new page where you can find all information sent about art thefts the past three years (http://museum-security.org/arttheft-reports.html) The next few weeks, time allowing, separate pages about recovery of stolen art, forgeries, and vadalism will be made.
Ton Cremers


From: Boylan P P.Boylan@city.ac.uk
Subject:

MORE ON ASHMOLEAN BREAK-IN

BBC Television News has this evening reported further details of the "very professional" break-in at Oxford's Ashmolean Museum in which a Cezanne oil painting was stolen. The report claimed that the raiders smashed through the glass roof - presumably setting off the security alarms immediately, but then set off smoke grenades which activated the fire alarm systems as well with the aim of creating confusion and making it difficult for the emergency services or staff to see immediately what was happening. In effect this was a smash-and-grab raid, with the raiders ignoring the security alarms and relying on speed to get in and out of the building before the police or other emergency services could respond. (Choosing 1.30am on New Year's Day suggests that they were looking for a slower than usual police response due to the large numbers of Millennium revellers that would still be blocking the streets in the City centre making access more difficult. Overall, the technique follows the pattern of several major art and antique burglaries of the past few years that have used an out-of-hours high speed smash-and-grab approach, though the use of smoke to add to the confusion seems to be a very unwelcome "first".
Patrick


From: Gene Hickman ghickman@chrysler.org
Subject:

Physical Intervention

In light of recent reports of art vandalism we're re-evaluating our physical intervention policy. Can anyone offer advice about whether Museum Security Officers who are not Police Officers should attempt intervention in cases where human safety is not a factor? Other than reporting the incident and requesting assistance, how should an Officer on the scene react when he/she discovers vandalism or theft of art in progress? Is physical restraint a viable option? Is it enough to order the perpetrator to cease? Should weapons such as batons (nightsticks), pepper spray, stun guns, handcuffs, etc., be used?
Thank you for your assistance.
Gene Hickman
Chrysler Museum of Art
Norfolk, VA
ghickman@chrysler.org


From: "Michael Gips" mgips@asisonline.org
Subject:

Re: request for feedback

Mr. Cremers:
In response to your request for feedback, I think that the MSN is doing a great job. I am an editor at Security Management magazine, for which I write a news and trends column. Much of the information you post, especially the queries and problems submitted by museum security professionals and staff, keeps me in touch with emerging issues, trends, etc. in the field. Your service has also helped put me in touch with some of your subscribers, who have proven to be interesting and knowledgeable people.
Michael Gips
Senior Editor
Security Management
www.securitymanagement.com


From: IntlArtCop@aol.com
Subject:

Re: Stolen Items on Ebay

I've been following the Ebay site for some time and have been concerned about stolen merchandise for sale. With this said, I'd like to ask that people who post lists of items stolen and for sale on Ebay include some evidence that might approach probable cause (more than suspicion but less than proof) rather than just state that something is stolen. Because it comes from the Balkins doesn't mean it was dug on public lands. If it is illegal to export items dug on private lands, you should tell us this. I'm sure that the reason Ebay does not repond to your inquiries is that they cannot be the police, and you need more than suspicion in the US to interfere with a sale like this. If you know it is stolen, tell us how you know. Then something can be done. Another suggestion is that you ascertain if there is a reward for any of these things and work with a private investigator who might be willing to make recoveries for the reward involved. Ebay is the world's largest garage sale and I see a lot of questionable merchandise for sale at garage sales and flea markets but can do little about it, unfortunately.
Steve Keller


Dale Gnidovec:

Fossil site was stripped clean

By Dale Gnidovec

In 1892, some interesting fossils were discovered near the southern end of the Black Hills in southwestern South Dakota. The fossils were cycads, primitive relatives of flowering plants. If you've seen paintings of dinosaurs in natural habitats, cycads are the plants that look like large pineapples with fern fronds growing from the top. George Wieland of Yale University became intensely interested in fossil cycads -- he eventually published a two-volume book on the subject -- and in 1920 he obtained the fossil-cycad site under the Homestead Act. In 1906, Congress had passed the Antiquities Act, which gave the president the authority to set aside areas of significant scenic, historical or scientific interest. Wieland offered the cycad site to the federal government, and on Oct. 21, 1922, President Warren G. Harding signed a proclamation creating Fossil Cycad National Monument. Administration of the new monument fell to the recently (1916) created National Park Service, but management of the site was minimal. The nearest Park Service office was at Wind Cave, about 20 miles away, so local ranchers were asked to keep an eye on the area. In 1935, Wieland and a crew of 13 Civilian Conservation Corps workers opened six to eight excavations and removed more than a ton of fossil cycads. After the excavations, Wieland began pushing for the construction of a visitor's center; he even had architecture students at Yale draw up designs. His proposal was turned down, not only because of the cost but also because by then little in the way of fossil cycads remained to be seen. At the World's Fair in Chicago in 1933, the Park Service wanted to display a fossil cycad. None could be found, so one was borrowed from a Mr. W.E. Parks of Lincoln, Neb. The Park Service lost the specimen, and Parks demanded a replacement or $75 compensation. In June of 1946, National Park Service personnel went to Cycad National Monument to try to find a replacement for Parks. They couldn't find a single one -- Wieland and poachers had cleaned out the site. Eventually, Congress awarded Parks $125. By the early 1950s, the main supporters of the monument, Wieland and South Dakota Sen. Peter Norbeck, had died. The Park Service looked on the monument as a white elephant and requested that it be deauthorized. A bill to do that was introduced in January 1955, signed on Aug. 1, 1956, and became effective on Sept. 1, 1957. Fossil Cycad National Monument was no more.

Dale M. Gnidovec (who is reachable online at: gnidovec@orton.mps.ohio-state.edu) is curator of Ohio State University's Orton Geological Museum.



Holocaust Museum Director Dies

By DINA KRAFT Associated Press Writer

JERUSALEM (AP) - Jeshajahu Weinberg, a founding director of the Holocaust Museum in Washington who used his dramatic talents to tell the story of European Jewry, died of a stroke in Tel Aviv, an associate said Monday. He was 81. Weinberg's creative vision is credited with giving visitors to the U.S. Holocaust Memorial Museum in Washington a glimpse of the reality in Nazi camps and Jewish ghettos in Europe during World War II. On display are more than 30,000 artifacts, including a railroad car used to transport Jews to camps. Weinberg died Saturday in Tel Aviv, said Asia Reuven, spokeswoman of the Museum of the Jewish Diaspora in Tel Aviv. Weinberg was a founding director of the Tel Aviv museum and came out of retirement in 1989 to help establish the Holocaust Museum in Washington, which opened six years ago and has had 12 million visitors. Born in Warsaw and educated in Germany, Weinberg - who was usually called ``Shaike,'' an abbreviation of his first name - immigrated with his family to Palestine in 1933, settling on a kibbutz, a communal farm. His innovative work in the Tel Aviv and Washington museums helped earn him the 1999 Israel Prize for lifetime achievement, the most prestigious award the Jewish State bestows on its citizens. Anita Shapira, a professor of Jewish history at Tel Aviv University who worked closely with Weinberg, said he changed the face of history museums. ``He introduced the concept of the museum as a tool for telling a story, not just for showing authentic artifacts,'' Shapira said. In 1939, Weinberg established Kibbutz Elon along with fellow members of his Marxist-Zionist youth movement. According to friends, he retained his ardent socialist beliefs throughout his life. From 1942-1946 he volunteered for service in the British Army's Jewish Brigade, and served part of that time in Italy. He served as deputy director in the office mechanization center of the prime minister's office from 1956-1961 before becoming director of the Cameri Theater, Tel Aviv's municipal theater, a post he held until 1976. Most recently, he was a consultant to the Jewish Museum in Berlin and the Jewish Museum of Warsaw. Weinberg is survived by a son and three daughters. He was buried Monday at Kibbutz Afek in northern Israel, alongside his wife.